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Pop art

Autore: Lucy R Lippard
Editore: New York, Praeger [©1966]
Serie: Praeger world of art series.
Edizione/Formato:   Libro a stampa : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Pop Art embodied the spirit of the 1960s. Despite its carnival aspects, its orgiastic color and giant scale, it was based on a tough, no-nonsense, no-refinement standard appropriate to its time. Here several critics, each involved in Pop Art, but with different backgrounds, vividly bring the movement to life. Lucy Lippard examines Pop's precursor and related styles, ranging from folk art, Surrealism and Dada, to  Per saperne di più…
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Informazioni aggiuntive sul formato: Online version:
Lippard, Lucy R.
Pop art.
New York, Praeger [©1966]
(OCoLC)557860968
Online version:
Lippard, Lucy R.
Pop art.
New York, Praeger [©1966]
(OCoLC)607834061
Tipo documento {1} {2}
Tutti gli autori / Collaboratori: Lucy R Lippard
Numero OCLC: 364386
Descrizione: 216 pages illustrations (some color) 22 cm.
Contenuti: The development of British Pop / Lawrence Alloway --
New York Pop / Lucy Lippard --
Pop art in California / Nancy Marmer --
Pop icons / Nicolas Calas --
Europe and Canada / Lucy Lippard.
Titolo della serie: Praeger world of art series.
Responsabilità: [by] Lucy R. Lippard. With contributions by Lawrence Alloway, Nancy Marmer [and] Nicolas Calas.

Abstract:

Pop Art embodied the spirit of the 1960s. Despite its carnival aspects, its orgiastic color and giant scale, it was based on a tough, no-nonsense, no-refinement standard appropriate to its time. Here several critics, each involved in Pop Art, but with different backgrounds, vividly bring the movement to life. Lucy Lippard examines Pop's precursor and related styles, ranging from folk art, Surrealism and Dada, to Assemblage, Rauschenberg and Jasper Johns. Lawrence Alloway contributes a chapter on the development of pop in England; Nancy Marmer considers Californian pop; Nicolas Calas, a member of the Surrealist movement in the 1930s and 40s assesses Pop icons.

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