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Pop art

著者: Lucy R Lippard
出版商: New York, Praeger [©1966]
丛书: Praeger world of art series.
版本/格式:   打印图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Pop Art embodied the spirit of the 1960s. Despite its carnival aspects, its orgiastic color and giant scale, it was based on a tough, no-nonsense, no-refinement standard appropriate to its time. Here several critics, each involved in Pop Art, but with different backgrounds, vividly bring the movement to life. Lucy Lippard examines Pop's precursor and related styles, ranging from folk art, Surrealism and Dada, to  再读一些...
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附加的形体格式: Online version:
Lippard, Lucy R.
Pop art.
New York, Praeger [©1966]
(OCoLC)557860968
Online version:
Lippard, Lucy R.
Pop art.
New York, Praeger [©1966]
(OCoLC)607834061
文档类型 图书
所有的著者/提供者: Lucy R Lippard
OCLC号码: 364386
描述: 216 pages illustrations (some color) 22 cm.
内容: The development of British Pop / Lawrence Alloway --
New York Pop / Lucy Lippard --
Pop art in California / Nancy Marmer --
Pop icons / Nicolas Calas --
Europe and Canada / Lucy Lippard.
丛书名: Praeger world of art series.
责任: [by] Lucy R. Lippard. With contributions by Lawrence Alloway, Nancy Marmer [and] Nicolas Calas.

摘要:

Pop Art embodied the spirit of the 1960s. Despite its carnival aspects, its orgiastic color and giant scale, it was based on a tough, no-nonsense, no-refinement standard appropriate to its time. Here several critics, each involved in Pop Art, but with different backgrounds, vividly bring the movement to life. Lucy Lippard examines Pop's precursor and related styles, ranging from folk art, Surrealism and Dada, to Assemblage, Rauschenberg and Jasper Johns. Lawrence Alloway contributes a chapter on the development of pop in England; Nancy Marmer considers Californian pop; Nicolas Calas, a member of the Surrealist movement in the 1930s and 40s assesses Pop icons.

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