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Pop art

作者: Lucy R Lippard
出版商: New York, Praeger [©1966]
叢書: Praeger world of art series.
版本/格式:   打印圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Pop Art embodied the spirit of the 1960s. Despite its carnival aspects, its orgiastic color and giant scale, it was based on a tough, no-nonsense, no-refinement standard appropriate to its time. Here several critics, each involved in Pop Art, but with different backgrounds, vividly bring the movement to life. Lucy Lippard examines Pop's precursor and related styles, ranging from folk art, Surrealism and Dada, to  再讀一些...
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其他的實體格式: Online version:
Lippard, Lucy R.
Pop art.
New York, Praeger [©1966]
(OCoLC)557860968
Online version:
Lippard, Lucy R.
Pop art.
New York, Praeger [©1966]
(OCoLC)607834061
文件類型 圖書
所有的作者/貢獻者: Lucy R Lippard
OCLC系統控制編碼: 364386
描述: 216 pages illustrations (some color) 22 cm.
内容: The development of British Pop / Lawrence Alloway --
New York Pop / Lucy Lippard --
Pop art in California / Nancy Marmer --
Pop icons / Nicolas Calas --
Europe and Canada / Lucy Lippard.
叢書名: Praeger world of art series.
責任: [by] Lucy R. Lippard. With contributions by Lawrence Alloway, Nancy Marmer [and] Nicolas Calas.

摘要:

Pop Art embodied the spirit of the 1960s. Despite its carnival aspects, its orgiastic color and giant scale, it was based on a tough, no-nonsense, no-refinement standard appropriate to its time. Here several critics, each involved in Pop Art, but with different backgrounds, vividly bring the movement to life. Lucy Lippard examines Pop's precursor and related styles, ranging from folk art, Surrealism and Dada, to Assemblage, Rauschenberg and Jasper Johns. Lawrence Alloway contributes a chapter on the development of pop in England; Nancy Marmer considers Californian pop; Nicolas Calas, a member of the Surrealist movement in the 1930s and 40s assesses Pop icons.

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Primary Entity

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