컨텐츠로 이동
View online The Popular Image Exhibition 해당 항목을 미리보기
닫기해당 항목을 미리보기
확인중입니다…

The Popular Image Exhibition

저자: Sterling and Francine Clark Art Institute. Library; Washington Gallery of Modern Art (Washington, D.C.)
출판사: [Washingtion, D.C.] : The Gallery, c1963
판/형식:   컴퓨터 파일 : 영어
데이터베이스:WorldCat
요약:
Just What Was It That Made Yesterday's Art So Different, So Appealing? Documents of the Early Pop Movement, 1955-1964. -- During the years from 1955 to 1964, what we now know as Pop Art was being defined by a group of artists, art galleries, and critics. Interestingly, this most All-American of art movements had its beginnings in England, with a group of artists, architects, and art critics that were exploring the
평가:

(아무런 평가가 없습니다.) 0 리뷰와 함께 - 첫번째로 올려주세요.

주제
다음과 같습니다:

 

온라인으로 문서 찾기

도서관에서 사본 찾기

&AllPage.SpinnerRetrieving; 해당항목을 보유하고 있는 도서관을 찾는 중

상세정보

장르/형태: image
자료 유형: 인터넷 자료
문서 형식: 인터넷 자원, 컴퓨터 파일
모든 저자 / 참여자: Sterling and Francine Clark Art Institute. Library; Washington Gallery of Modern Art (Washington, D.C.)
OCLC 번호: 360992213
언어 메모: English
메모: dcu
설명: [23] p. : ill. ; 31 cm

초록:

Just What Was It That Made Yesterday's Art So Different, So Appealing? Documents of the Early Pop Movement, 1955-1964. -- During the years from 1955 to 1964, what we now know as Pop Art was being defined by a group of artists, art galleries, and critics. Interestingly, this most All-American of art movements had its beginnings in England, with a group of artists, architects, and art critics that were exploring the themes of mass media, advertising, and design. -- While the artists whose names would eventually be tied to the Pop movement were working and showing separately during the late 1950s, it was in the early 1960s that gallerists and museums began linking these artists together. In the beginning, there wasn't even an agreed upon label to apply to the art--Neo-Dada or New Realists were just as likely to be used as Pop. However, common themes clearly indicated that a movement was afoot--a movement that initially was alternately championed and vilified. -- 1964 was the breakout year for what was now universally referred to as Pop Art. The United States Pavilion at the 32nd Venice biennial featured artists tied to the Pop scene. It created a sensation, with critics denouncing it as vulgar and childish. Despite the furor, Robert Rauschenberg was awarded the exhibition's top prize for painting. From that moment, this group of young American artists stepped to the front of the artistic world stage. The themes and imagery associated with Pop Art would become part of the daily vocabulary of the 1960s, influencing the "look" of an entire generation. -- All of the works shown are from the Sterling and Francine Clark Art Institute Library.

Item exhibited closed (Cover) with event announcement

Jim Dine designed the cover for this catalogue. Alan Solomon's essay brilliantly defines the aims and objectives of the new figurative artists. Despite the name of the exhibition, the word Pop is not used to define the art or artists. In addition to the actual display, several events or "Happenings" were staged in conjunction with the exhibition, including one by Claes Oldenburg.

리뷰

사용자-기여 리뷰
GoodReads 리뷰 가져오는 중…
DOGObooks 리뷰를 가지고 오는 중…

태그

모든 사용자 태그 (5)

가장 인기있는 태그 보기 태그 리스트 | tag cloud

유사 항목

관련 주제:(1)

이 항목을 가지고 있는 사용자 목록 (1)

요청하신 것을 확인하기

이 항목을 이미 요청하셨을 수도 있습니다. 만약 이 요청을 계속해서 진행하시려면 Ok을 선택하세요.

링크된 데이터


<http://www.worldcat.org/oclc/360992213>
library:oclcnum"360992213"
owl:sameAs<info:oclcnum/360992213>
rdf:typej.2:Computer_file
schema:contributor
schema:creator
schema:description"Jim Dine designed the cover for this catalogue. Alan Solomon's essay brilliantly defines the aims and objectives of the new figurative artists. Despite the name of the exhibition, the word Pop is not used to define the art or artists. In addition to the actual display, several events or "Happenings" were staged in conjunction with the exhibition, including one by Claes Oldenburg."
schema:exampleOfWork<http://worldcat.org/entity/work/id/248097618>
schema:genre"image"
schema:inLanguage"en"
schema:name"The Popular Image Exhibition"
schema:numberOfPages"23"
schema:publisher
schema:url<http://worldcat.org/search?q=on:CLART+http://maca.contentdm.oclc.org/cgi-bin/oai2.exe+p1325coll6+CNTCOLL>
schema:url<http://maca.contentdm.oclc.org/u?/p1325coll6,131>
schema:url
schema:url<http://worldcat.org/oclc/360992213/viewonline>

Content-negotiable representations

윈도우 닫기

WorldCat에 로그인 하십시오 

계정이 없으세요? 아주 간단한 절차를 통하여 무료 계정을 만드실 수 있습니다.