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Popular Music Fandom : Identities, Roles and Practices.

Author: Mark Duffett
Publisher: Hoboken : Taylor and Francis, 2013.
Series: Routledge studies in popular music.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This book explores popular music fandom from a cultural studies perspective that incorporates popular music studies, audience research, and media fandom. The essays draw together recent work on fandom in popular music studies and begin a dialogue with the wider field of media fan research, raising questions about how popular music fandom can be understood as a cultural phenomenon and how much it has changed in light  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Duffett, Mark.
Popular Music Fandom : Identities, Roles and Practices.
Hoboken : Taylor and Francis, ©2013
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Mark Duffett
ISBN: 9781134467761 1134467761 9781134467693 1134467699
OCLC Number: 863823681
Notes: Scholars and Fans Reconsidered.
Description: 1 online resource (501 pages).
Contents: Cover; Half Title; Title Page; Copyright Page; Table of Contents; List of Tables; Acknowledgments; 1. Introduction; Notes; Bibliography; 2. Back in the Mix: Exploring Intermediary Fandom and Popular Music Production; More Adventures in Modern Recording: Trevor Horn and the Producers; Spanking it: Tom Lord-Alge and the 'Magic' of Mixing; Notes; Bibliography; 3. Beyond Capital, Towards Myth: EDM Fandom and Dance Practice; Beyond Bourdieu; EDM Fan Communities as Postliberal Aggregates; EDM Fandom: Practice, Myth and Subjectivity; New Directions in EDM Fan Research; Notes; Bibliography. 4. Hidden Fans? Fandom and Domestic Musical ActivityAcademic Writing on Music Reception; Issues of Access and Opportunity; Inequality of Access and People with Learning Difficulties; Fandom and Everyday Domestic Life; "Brown Girl in the Ring": Everyday Performing and the Articulation of Fandom; Conclusion; Notes; Bibliography; Discography; 5. Researching Your Favorite Artist: Methodological Observations of a Brazilian Popular Music Scholar; Rethinking Marcos Valle; Barriers to Research; Meeting Marcos; Notes; Bibliography; 6. Fantastic Voyeur: Lurking on the Dark Side of Biography. Fantastic Voyeur: Lurking on the Dark Side of BiographyNotes; Bibliography; 7. Song of Praise: Musicians, Myths and the "Cult" of John Coltrane; Religiosity and Fandom; Mediation and the Pathology of the Modern World; Coltrane as Unmediated Artist; Coltrane as Medium; Fandom and Cultural Value; Challenging the Critics; Canonizing Jazz: Neo-Traditionalism and Coltrane; Conclusion: Rethinking Coltrane Fandom; Notes; Bibliography; 8. "I Love IBIZA": Music, Place and Belonging; Method; Vibe, Unity and Communitas; Neo-Tribes; Place, Habitus and "The Spirit of Ibiza." Attachment, Memory and BelongingConclusion; Notes; Bibliography; 9. Fan Words; Finding Love; Towards A New Vocabulary; "Not Something You Can Buy"; Notes; Bibliography; 10. Record Collecting and Fandom; Fandom; Collecting; A Love of Music; Collectors as Obsessive-Compulsives; Collection Size, Accumulation and Completism; Selectivity, Discrimination and Cultural Capital; Rarity and Economic Value; Collecting, Identity and the Life Cycle; Taste, Nostalgia and the Collectible; The Beatles; Who is Paying this Sort of Money?; Conclusion; Notes; Bibliography. 11. After Jerry's Death: Achieving Continuity in Deadhead Identity and CommunityThe Deadhead Community Project; The Status QUO: The Grateful Dead and Deadheads before Jerry's Death; The Conservative Impulse to Preserve the Status QUO AJD; Achieving Continuity: The Preservation of Deadhead Identity and Community through Incremental Change or Substitution; Conclusion; Notes; Bibliography; 12. Afterword: Fans and Scholars-A Reassessment; ACA-Fans and Stereotypes; Fans as Uncredentialed Scholars / Scholars as Credentialed Fans?; Instrumental and Expressive Approaches.
Series Title: Routledge studies in popular music.

Abstract:

This book explores popular music fandom from a cultural studies perspective that incorporates popular music studies, audience research, and media fandom. The essays draw together recent work on fandom in popular music studies and begin a dialogue with the wider field of media fan research, raising questions about how popular music fandom can be understood as a cultural phenomenon and how much it has changed in light of recent developments. Exploring the topic in this way broaches questions on how to define, theorize, and empirically research popular music fan culture, and how music fandom r.

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'Reading through Popular Music Fandom encouraged me to reflect on my own experience as a music fan, and of the many fandoms I have inhabited over the course of my musical and academic career-after Read more...

 
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