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Post-soviet literature and the search for a Russian identity

Author: Boris Noordenbos
Publisher: New Yeok : Palgrave Macmillan, [2016]
Series: Studies in European culture and history.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This book examines a wide range of contemporary Russian writers whose work, after the demise of Communism, increasingly became more authoritative in debates on Russia's character, destiny, and place in the world. Unique in his in-depth analysis of both playful postmodernist authors and fanatical nationalist writers, Noorbendos pays attention to not only the acute social and political implications of contemporary  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Noordenbos, Boris.
Post-soviet literature and the search for a russian identity.
[S.l.] : Palgrave Macmillan, 2016
(OCoLC)942381047
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Boris Noordenbos
ISBN: 9781137593634 1137593636 1137596724 9781137596727
OCLC Number: 951623844
Description: 1 online resource.
Contents: Introduction --
The Black Holes of History: Narratives of Cultural Trauma --
Post-Totalitarian Identity and the Struggle with Literaturocentrism --
Empire of Empty Signs: Unsettling Imitations of "the West" --
Imperial Stiob: The Aesthetics of Chauvinism --
The Return of the Dead: Haunting Traumas and Nostalgic Dreams --
Interpreting Gorbachev's Birthmark: Conspiratorial Visions of Russian Identity --
Conclusion --
Works Cited.
Series Title: Studies in European culture and history.
Responsibility: Boris Noordenbos.

Abstract:

This book examines a wide range of contemporary Russian writers whose work, after the demise of Communism, increasingly became more authoritative in debates on Russia's character, destiny, and place in the world. Unique in his in-depth analysis of both playful postmodernist authors and fanatical nationalist writers, Noorbendos pays attention to not only the acute social and political implications of contemporary Russian literature but also literary form by documenting the decline of postmodern styles, analyzing shifting metaphors for a "Russian identity crisis," and tracing the emergence of new forms of authorial ethos. To achieve this end, the book connects the fields of postcoloniality, trauma, and conspiracy thinking with post-Soviet studies, an endeavor that has been grossly overlooked until now.

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