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Postcolonial narrative and the work of mourning : J.M. Coetzee, Wilson Harris, and Toni Morrison

Autor: Sam Durrant
Editorial: Albany : State University of New York Press, ©2004.
Serie: SUNY series, explorations in postcolonial studies.
Edición/Formato:   Libro : Publicación gubernamental estatal o provincial : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"Sam Durrant's book compares the ways in which the novels of J.M. Coetzee, Wilson Harris, and Toni Morrison memorialize the traumatic histories of racial oppression that continue to haunt our postcolonial era. The works examined bear witness to the colonialization of the New World, U.S. slavery, and South African apartheid, histories founded on a violent denial of the humanity of the other that had traumatic  Leer más
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Detalles

Género/Forma: Criticism, interpretation, etc
History
Persona designada: J M Coetzee; Toni Morrison; Wilson Harris; J M Coetzee; Toni Morrison; Wilson Harris; Toni Morrison; John M Coetzee; Wilson Harris; Wilson Harris; J M Coetzee; Wilson Harris; Toni Morrison
Tipo de material: Publicación gubernamental, Publicación gubernamental estatal o provincial, Recurso en Internet
Tipo de documento: Libro/Texto, Recurso en Internet
Todos autores / colaboradores: Sam Durrant
ISBN: 0791459454 9780791459454 0791459462 9780791459461
Número OCLC: 51968885
Notas: Based on author's thesis (Ph. D.)--Queen's University, Ontario.
Descripción: ix, 142 p. ; 24 cm.
Contenido: Specters of colonialism --
Speechless before Apartheid: J.M. Coetzee's inconsolable works of mourning --
Rites of communion: Wilson Harris's hosting of history --
Keeping it in the family: passing on racial memory in the novels of Toni Morrison --
Some kind of community.
Título de la serie: SUNY series, explorations in postcolonial studies.
Responsabilidad: Sam Durrant.
Más información:

Resumen:

"Sam Durrant's book compares the ways in which the novels of J.M. Coetzee, Wilson Harris, and Toni Morrison memorialize the traumatic histories of racial oppression that continue to haunt our postcolonial era. The works examined bear witness to the colonialization of the New World, U.S. slavery, and South African apartheid, histories founded on a violent denial of the humanity of the other that had traumatic consequences for both perpetrators and victims. Working at the borders of psychoanalysis and deconstruction, and drawing inspiration from recent work on the Holocaust, Durrant rethinks Freud's opposition between mourning and melancholia at the level of the collective and rearticulates the postcolonial project and an inconsolable labor of remembrance."--Jacket.

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