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Postcolonial narrative and the work of mourning : J.M. Coetzee, Wilson Harris, and Toni Morrison

Autore: Sam Durrant
Editore: Albany : State University of New York Press, ©2004.
Serie: SUNY series, explorations in postcolonial studies.
Edizione/Formato:   Libro a stampa : State or province government publication : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"Sam Durrant's book compares the ways in which the novels of J.M. Coetzee, Wilson Harris, and Toni Morrison memorialize the traumatic histories of racial oppression that continue to haunt our postcolonial era. The works examined bear witness to the colonialization of the New World, U.S. slavery, and South African apartheid, histories founded on a violent denial of the humanity of the other that had traumatic  Per saperne di più…
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Dettagli

Genere/forma: Criticism, interpretation, etc
History
Persona incaricata: J M Coetzee; Toni Morrison; Wilson Harris; Wilson Harris; J M Coetzee; Toni Morrison; Wilson Harris; J M Coetzee; Wilson Harris; Toni Morrison; Toni Morrison; John M Coetzee; Wilson Harris
Tipo materiale: Government publication, State or province government publication, Risorsa internet
Tipo documento {1} {2}, {1} {2}
Tutti gli autori / Collaboratori: Sam Durrant
{0} 0791459454 9780791459454 0791459462 9780791459461
Numero OCLC: 51968885
Note: Based on the author's thesis (Ph. D.)--Queen's University, Ontario.
Descrizione: ix, 142 pages ; 24 cm.
Contenuti: Specters of colonialism --
Speechless before Apartheid: J.M. Coetzee's inconsolable works of mourning --
Rites of communion: Wilson Harris's hosting of history --
Keeping it in the family: passing on racial memory in the novels of Toni Morrison --
Some kind of community.
Titolo della serie: SUNY series, explorations in postcolonial studies.
Responsabilità: Sam Durrant.
Maggiori informazioni

Abstract:

"Sam Durrant's book compares the ways in which the novels of J.M. Coetzee, Wilson Harris, and Toni Morrison memorialize the traumatic histories of racial oppression that continue to haunt our postcolonial era. The works examined bear witness to the colonialization of the New World, U.S. slavery, and South African apartheid, histories founded on a violent denial of the humanity of the other that had traumatic consequences for both perpetrators and victims. Working at the borders of psychoanalysis and deconstruction, and drawing inspiration from recent work on the Holocaust, Durrant rethinks Freud's opposition between mourning and melancholia at the level of the collective and rearticulates the postcolonial project and an inconsolable labor of remembrance."--Jacket.

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