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Postcolonial narrative and the work of mourning : J.M. Coetzee, Wilson Harris, and Toni Morrison

著者: Sam Durrant
出版社: Albany : State University of New York Press, ©2004.
シリーズ: SUNY series, explorations in postcolonial studies.
エディション/フォーマット:   紙書籍 : State or province government publication : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Sam Durrant's book compares the ways in which the novels of J.M. Coetzee, Wilson Harris, and Toni Morrison memorialize the traumatic histories of racial oppression that continue to haunt our postcolonial era. The works examined bear witness to the colonialization of the New World, U.S. slavery, and South African apartheid, histories founded on a violent denial of the humanity of the other that had traumatic  続きを読む
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詳細

ジャンル/形式: Criticism, interpretation, etc
History
関連の人物: J M Coetzee; Toni Morrison; Wilson Harris; Wilson Harris; J M Coetzee; Toni Morrison; Wilson Harris; J M Coetzee; Wilson Harris; Toni Morrison; Toni Morrison; John M Coetzee; Wilson Harris
資料の種類: Government publication, State or province government publication, インターネット資料
ドキュメントの種類 書籍, インターネット資料
すべての著者/寄与者: Sam Durrant
ISBN: 0791459454 9780791459454 0791459462 9780791459461
OCLC No.: 51968885
メモ: Based on the author's thesis (Ph. D.)--Queen's University, Ontario.
物理形態: ix, 142 pages ; 24 cm.
コンテンツ: Specters of colonialism --
Speechless before Apartheid: J.M. Coetzee's inconsolable works of mourning --
Rites of communion: Wilson Harris's hosting of history --
Keeping it in the family: passing on racial memory in the novels of Toni Morrison --
Some kind of community.
シリーズタイトル: SUNY series, explorations in postcolonial studies.
責任者: Sam Durrant.
その他の情報

概要:

"Sam Durrant's book compares the ways in which the novels of J.M. Coetzee, Wilson Harris, and Toni Morrison memorialize the traumatic histories of racial oppression that continue to haunt our postcolonial era. The works examined bear witness to the colonialization of the New World, U.S. slavery, and South African apartheid, histories founded on a violent denial of the humanity of the other that had traumatic consequences for both perpetrators and victims. Working at the borders of psychoanalysis and deconstruction, and drawing inspiration from recent work on the Holocaust, Durrant rethinks Freud's opposition between mourning and melancholia at the level of the collective and rearticulates the postcolonial project and an inconsolable labor of remembrance."--Jacket.

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