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Postcolonial narrative and the work of mourning : J.M. Coetzee, Wilson Harris, and Toni Morrison

作者: Sam Durrant
出版商: Albany : State University of New York Press, ©2004.
叢書: SUNY series, explorations in postcolonial studies.
版本/格式:   Print book : 州政府或者省政府刊物 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"Sam Durrant's book compares the ways in which the novels of J.M. Coetzee, Wilson Harris, and Toni Morrison memorialize the traumatic histories of racial oppression that continue to haunt our postcolonial era. The works examined bear witness to the colonialization of the New World, U.S. slavery, and South African apartheid, histories founded on a violent denial of the humanity of the other that had traumatic  再讀一些...
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類型/形式: Criticism, interpretation, etc
History
提及的人: J M Coetzee; Toni Morrison; Wilson Harris; Wilson Harris; J M Coetzee; Toni Morrison; Wilson Harris; J M Coetzee; Wilson Harris; Toni Morrison; Toni Morrison; John M Coetzee; Wilson Harris
資料類型: 政府刊物, 州政府或者省政府刊物, 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Sam Durrant
ISBN: 0791459454 9780791459454 0791459462 9780791459461
OCLC系統控制編碼: 51968885
注意: Based on the author's thesis (Ph. D.)--Queen's University, Ontario.
描述: ix, 142 pages ; 24 cm.
内容: Specters of colonialism --
Speechless before Apartheid: J.M. Coetzee's inconsolable works of mourning --
Rites of communion: Wilson Harris's hosting of history --
Keeping it in the family: passing on racial memory in the novels of Toni Morrison --
Some kind of community.
叢書名: SUNY series, explorations in postcolonial studies.
責任: Sam Durrant.
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摘要:

"Sam Durrant's book compares the ways in which the novels of J.M. Coetzee, Wilson Harris, and Toni Morrison memorialize the traumatic histories of racial oppression that continue to haunt our postcolonial era. The works examined bear witness to the colonialization of the New World, U.S. slavery, and South African apartheid, histories founded on a violent denial of the humanity of the other that had traumatic consequences for both perpetrators and victims. Working at the borders of psychoanalysis and deconstruction, and drawing inspiration from recent work on the Holocaust, Durrant rethinks Freud's opposition between mourning and melancholia at the level of the collective and rearticulates the postcolonial project and an inconsolable labor of remembrance."--Jacket.

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