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The power of display : a history of exhibition installations at the Museum of Modern Art

著者: Mary Anne Staniszewski; Museum of Modern Art (New York, N.Y.)
出版: Cambridge, Mass. : MIT Press, ©1998.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Art historians, traditionally, have implicitly accepted the autonomy of the artwork and ignored what Mary Anne Staniszewski calls "the power of display." In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum - The Museum of Modern Art in New York. Focusing on over two  続きを読む
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ジャンル/形式: History
その他のフォーマット: Online version:
Staniszewski, Mary Anne.
Power of display.
Cambridge, Mass. : MIT Press, ©1998
(OCoLC)607107338
ドキュメントの種類: 図書
すべての著者/寄与者: Mary Anne Staniszewski; Museum of Modern Art (New York, N.Y.)
ISBN: 0262194023 9780262194020
OCLC No.: 39116556
物理形態: xxix, 371 pages : illustrations ; 25 cm
コンテンツ: Introduction: Installation design: the "unconscious" of art exhibitions. --
Framing installation design: the international avant-gardes. --
Aestheticized installations for modernism, ethnographic art, and objects of everyday life. --
Installations for good design and good taste. --
Installations for political persuasion. --
Installation design and installation art. --
Conclusion: The museum and the power of memory.
責任者: Mary Anne Staniszewski.

概要:

"Art historians, traditionally, have implicitly accepted the autonomy of the artwork and ignored what Mary Anne Staniszewski calls "the power of display." In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum - The Museum of Modern Art in New York. Focusing on over two hundred photographs of the visually rich but overlooked history of exhibitions, Staniszewski documents and deciphers an essential chapter of twentieth-century art and culture and provides a historical and theoretical framework for a primary area of contemporary aesthetic practice - installation-based art."--Jacket.

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