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The power of display : a history of exhibition installations at the Museum of Modern Art

著者: Mary Anne Staniszewski; Museum of Modern Art (New York, N.Y.)
出版商: Cambridge, Mass. : MIT Press, ©1998.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"Art historians, traditionally, have implicitly accepted the autonomy of the artwork and ignored what Mary Anne Staniszewski calls "the power of display." In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum - The Museum of Modern Art in New York. Focusing on over two  再读一些...
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类型/形式: History
附加的形体格式: Online version:
Staniszewski, Mary Anne.
Power of display.
Cambridge, Mass. : MIT Press, ©1998
(OCoLC)607107338
文件类型:
所有的著者/提供者: Mary Anne Staniszewski; Museum of Modern Art (New York, N.Y.)
ISBN: 0262194023 9780262194020
OCLC号码: 39116556
描述: xxix, 371 pages : illustrations ; 25 cm
内容: Introduction: Installation design: the "unconscious" of art exhibitions. --
Framing installation design: the international avant-gardes. --
Aestheticized installations for modernism, ethnographic art, and objects of everyday life. --
Installations for good design and good taste. --
Installations for political persuasion. --
Installation design and installation art. --
Conclusion: The museum and the power of memory.
责任: Mary Anne Staniszewski.

摘要:

"Art historians, traditionally, have implicitly accepted the autonomy of the artwork and ignored what Mary Anne Staniszewski calls "the power of display." In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum - The Museum of Modern Art in New York. Focusing on over two hundred photographs of the visually rich but overlooked history of exhibitions, Staniszewski documents and deciphers an essential chapter of twentieth-century art and culture and provides a historical and theoretical framework for a primary area of contemporary aesthetic practice - installation-based art."--Jacket.

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