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Power to the people : the graphic design of the radical press and the rise of the counter-culture, 1964-1974

著者: Geoff Kaplan
出版: Chicago ; London : University of Chicago Press, 2013. ©2013
エディション/フォーマット:   book_printbook : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Though we think of the 1960s and the early '70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages  続きを読む
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ジャンル/形式: Bibliography
History
Pictorial works
ドキュメントの種類: 図書
すべての著者/寄与者: Geoff Kaplan
ISBN: 9780226424354 0226424359
OCLC No.: 869140677
物理形態: 263 pages : illustrations ; 32 cm
コンテンツ: Introduction / by Geoff Kaplan --
Timelines, 1964-1974 --
Design as a social movement / by Gwen Allen --
Bohemian technocracy & the countercultural press / by Fred Turner --
The underground press: a history / by Bob Ostertag --
What we were reading: the creation of a counter-public sphere / edited by Pamela M. Lee, T.J. Clark, Todd Gitlin, Harmony Hammond, Steven Heller, Nancy Holt, Chip Lord, Margo Machida, Yvonne Rainer, Terry Smith, Lawrence Weiner, Faith Wilding.
責任者: edited by Geoff Kaplan.

概要:

Though we think of the 1960s and the early '70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise  続きを読む

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"Before there was the Internet and desktop publishing, there was the under-ground press-a rich, irreverent source of information, opinion, and outrageousness that is all too difficult to access 続きを読む

 
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schema:description""Though we think of the 1960s and the early '70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole--helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the Oracle, Haight-Ashbury's paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors' fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock 'n' roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation. No other book surveys in such variety the highly innovative graphic design of the underground press, and certainly no other book captures the era with such an unmatched eye toward its aesthetic and look. Power to the People is not just a major compendium of art from the '60s and '70s--it showcases how the radical media graphically fashioned the image of a countercultural revolution that still resounds to this day"--Publisher description."@en
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