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Preface to Plato

著者: Eric Alfred Havelock
出版: Cambridge : Belknap Press : Harvard University Press, 1963.
シリーズ: History of the Greek mind, v. 1.
エディション/フォーマット:   book_printbook : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Mr. Havelock shows that Plato's hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought. The reason for the dominance of this tradition was technological. In a nonliterate  続きを読む
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詳細

ジャンル/形式: Criticism, interpretation, etc
その他のフォーマット: Online version:
Havelock, Eric Alfred.
Preface to Plato.
Cambridge, Belknap Press, Harvard University Press, 1963
(OCoLC)578408646
関連の人物: Plato.; Platon.; Plato.; Plato.; Plato; Platon.
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Eric Alfred Havelock
ISBN: 0674699068 9780674699069
OCLC No.: 373566
物理形態: xiv, 328 pages ; 22 cm.
コンテンツ: Part one- the image thinkers --
Plato on poetry --
Mimesis --
Poetry as preserved communication --
The homeric encyclopedia --
Epic as recorded versus epic as narrative --
Hesiod on poetry --
The oral sources of the hellenic intelligence --
The homeric state of mind --
The psychology of the poetic performance --
The content and quality of the poetised statement --
Part two: The necessity of platonism --
Psyche or the separation of the knower from the known --
The recognition of the known as an object --
Poetry as opinion --
The origin of the theory of forms --
"The supreme music is philosophy"
シリーズタイトル: History of the Greek mind, v. 1.
責任者: Eric A. Havelock.

概要:

Plato's frontal attack on poetry has always been a problem for sympathetic students, who have often minimized or avoided it. Beginning with the premise that the attack must be taken seriously, Mr. Havelock shows that Plato's hostility is explained by the continued domination of the poetic tradition in contemporary Greek thought. The reason for the dominance of this tradition was technological. In a nonliterate culture, stored experience necessary to cultural stability had to be preserved as poetry in order to be memorized. Plato attacks poets, particularly Homer, as the sole source of Greek moral and technical instruction--Mr. Havelock shows how the Illiad acted as an oral encyclopedia. Under the label of mimesis, Plato condemns the poetic process of emotional identification and the necessity of presenting content as a series of specific images in a continued narrative. The second part of the book discusses the Platonic Forms as an aspect of an increasingly rational culture. Literate Greece demanded, instead of poetic discourse, a vocabulary and a sentence structure both abstract and explicit in which experience could be described normatively and analytically: in short a language of ethics and science.

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