コンテンツへ移動
Principles of art history; the problem of the development of style in later art. 資料のプレビュー
閉じる資料のプレビュー
確認中…

Principles of art history; the problem of the development of style in later art.

著者: Heinrich Wölfflin
出版: [New York] Dover Publications [194-?]
エディション/フォーマット:   book_printbook : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
What are the fundamental differences between classic and baroque art? Is there a pattern underlying the seemingly helter-skelter development of art in different cultures and at different times? What causes our entirely different reactions to precisely the same painting or to the same painter? In this now-classic treatise, published originally in Germany in the early 1920s, Professor Wölfflin provides an objective  続きを読む
評価:

(まだ評価がありません) 0 件のレビュー - 是非あなたから!

件名:
関連情報:

 

オフラインで入手

&AllPage.SpinnerRetrieving; この資料の所蔵館を検索中…

詳細

ジャンル/形式: History
その他のフォーマット: Online version:
Wölfflin, Heinrich, 1864-1945.
Principles of art history.
[New York] Dover Publications [194-?]
(OCoLC)647041216
ドキュメントの種類: 図書
すべての著者/寄与者: Heinrich Wölfflin
OCLC No.: 190936
物理形態: xvi, 237 pages illustrations 24 cm
コンテンツ: Introduction : The double root of style --
The most general representational forms --
Imitation and decoration --
Linear and painterly : General --
Drawing --
Painting --
Sculpture --
Architecture --
Plane and recession : Painting --
Sculpture --
Architecture --
Closed and open form : Painting --
Sculpture --
Architecture --
Multiplicity and unity : Painting --
Architecture --
Clearness and unclearness : Painting --
Architecture --
Conclusion : External and internal history of art --
Forms of imitation nad decoration --
The why of development --
Periodicity of the development --
The problem of recommencement --
National characteristics --
Shifting the centre of gravity.
その他のタイトル: Kunstgeschichtliche Grundbegriffe.
責任者: Translated by M.D. Hottinger.

概要:

What are the fundamental differences between classic and baroque art? Is there a pattern underlying the seemingly helter-skelter development of art in different cultures and at different times? What causes our entirely different reactions to precisely the same painting or to the same painter? In this now-classic treatise, published originally in Germany in the early 1920s, Professor Wölfflin provides an objective set of criteria to answer these and related questions. Examining such factors as style, quality, and mode of representation in terms of five opposed dynamisms (the linear vs. painterly, plane vs. recession, closed vs. open form, multiplicity vs. unity, and clearness vs. unclearness), the author analyzes the work of 64 major artists, delving even into sculpture and architecture. 150 illustrations of the work of Botticelli, van Cleve, Durer, Holbein, Brueghel, Bouts, Hals, Rembrandt, Velasquez, Titian, Vermeer, and other major figures accompany Professor Wölfflin's brilliant contributions to the methodology of art criticism. Whether you teach art, study it, or want to understand it purely for your own enjoyment, this epoch-making study will certainly increase your comprehension of and pleasure in the world's art heritage.

レビュー

ユーザーレビュー
GoodReadsのレビューを取得中…
DOGObooksのレビューを取得中…

タグ

まずはあなたから!

類似資料

関連件名:(2)

この資料を含むリスト (1)

リクエストの確認

あなたは既にこの資料をリクエストしている可能性があります。このリクエストを続行してよろしければ、OK を選択してください。

リンクデータ


Primary Entity

<http://www.worldcat.org/oclc/190936> # Principles of art history; the problem of the development of style in later art.
    a schema:Book, schema:CreativeWork ;
    bgn:translationOfWork <http://www.worldcat.org/title/-/oclc/190936#CreativeWork/unidentifiedOriginalWork> ; # Kunstgeschichtliche Grundbegriffe.
    library:oclcnum "190936" ;
    library:placeOfPublication <http://id.loc.gov/vocabulary/countries/nyu> ;
    library:placeOfPublication <http://dbpedia.org/resource/New_York_City> ; # New York
    schema:about <http://id.loc.gov/authorities/subjects/sh85007488> ; # Art--History
    schema:about <http://dewey.info/class/709/> ;
    schema:about <http://id.worldcat.org/fast/815177> ; # Art
    schema:about <http://id.loc.gov/authorities/classification/N5300> ;
    schema:bookFormat bgn:PrintBook ;
    schema:creator <http://viaf.org/viaf/44306790> ; # Heinrich Wölfflin
    schema:datePublished "194u" ;
    schema:description "What are the fundamental differences between classic and baroque art? Is there a pattern underlying the seemingly helter-skelter development of art in different cultures and at different times? What causes our entirely different reactions to precisely the same painting or to the same painter? In this now-classic treatise, published originally in Germany in the early 1920s, Professor Wölfflin provides an objective set of criteria to answer these and related questions. Examining such factors as style, quality, and mode of representation in terms of five opposed dynamisms (the linear vs. painterly, plane vs. recession, closed vs. open form, multiplicity vs. unity, and clearness vs. unclearness), the author analyzes the work of 64 major artists, delving even into sculpture and architecture. 150 illustrations of the work of Botticelli, van Cleve, Durer, Holbein, Brueghel, Bouts, Hals, Rembrandt, Velasquez, Titian, Vermeer, and other major figures accompany Professor Wölfflin's brilliant contributions to the methodology of art criticism. Whether you teach art, study it, or want to understand it purely for your own enjoyment, this epoch-making study will certainly increase your comprehension of and pleasure in the world's art heritage."@en ;
    schema:description "Introduction : The double root of style -- The most general representational forms -- Imitation and decoration -- Linear and painterly : General -- Drawing -- Painting -- Sculpture -- Architecture -- Plane and recession : Painting -- Sculpture -- Architecture -- Closed and open form : Painting -- Sculpture -- Architecture -- Multiplicity and unity : Painting -- Architecture -- Clearness and unclearness : Painting -- Architecture -- Conclusion : External and internal history of art -- Forms of imitation nad decoration -- The why of development -- Periodicity of the development -- The problem of recommencement -- National characteristics -- Shifting the centre of gravity."@en ;
    schema:exampleOfWork <http://worldcat.org/entity/work/id/1349870> ; # Kunstgeschichtliche Grundbegriffe.
    schema:genre "History"@en ;
    schema:inLanguage "en" ;
    schema:isSimilarTo <http://www.worldcat.org/oclc/647041216> ;
    schema:name "Principles of art history; the problem of the development of style in later art."@en ;
    schema:productID "190936" ;
    schema:publication <http://www.worldcat.org/title/-/oclc/190936#PublicationEvent/new_yorkdover_publications194> ;
    schema:publisher <http://experiment.worldcat.org/entity/work/data/1349870#Agent/dover_publications> ; # Dover Publications
    wdrs:describedby <http://www.worldcat.org/title/-/oclc/190936> ;
    .


Related Entities

<http://dbpedia.org/resource/New_York_City> # New York
    a schema:Place ;
    schema:name "New York" ;
    .

<http://experiment.worldcat.org/entity/work/data/1349870#Agent/dover_publications> # Dover Publications
    a bgn:Agent ;
    schema:name "Dover Publications" ;
    .

<http://id.loc.gov/authorities/subjects/sh85007488> # Art--History
    a schema:Intangible ;
    schema:name "Art--History"@en ;
    .

<http://id.worldcat.org/fast/815177> # Art
    a schema:Intangible ;
    schema:name "Art"@en ;
    .

<http://viaf.org/viaf/44306790> # Heinrich Wölfflin
    a schema:Person ;
    schema:birthDate "1864" ;
    schema:deathDate "1945" ;
    schema:familyName "Wölfflin" ;
    schema:givenName "Heinrich" ;
    schema:name "Heinrich Wölfflin" ;
    .

<http://worldcat.org/entity/work/id/1349870> # Kunstgeschichtliche Grundbegriffe.
    schema:name "Kunstgeschichtliche Grundbegriffe." ;
    .

<http://www.worldcat.org/oclc/647041216>
    a schema:CreativeWork ;
    rdfs:label "Principles of art history." ;
    schema:description "Online version:" ;
    schema:isSimilarTo <http://www.worldcat.org/oclc/190936> ; # Principles of art history; the problem of the development of style in later art.
    .

<http://www.worldcat.org/title/-/oclc/190936>
    a genont:InformationResource, genont:ContentTypeGenericResource ;
    schema:about <http://www.worldcat.org/oclc/190936> ; # Principles of art history; the problem of the development of style in later art.
    schema:dateModified "2016-06-10" ;
    void:inDataset <http://purl.oclc.org/dataset/WorldCat> ;
    .

<http://www.worldcat.org/title/-/oclc/190936#CreativeWork/unidentifiedOriginalWork> # Kunstgeschichtliche Grundbegriffe.
    a schema:CreativeWork ;
    schema:inLanguage "de" ;
    schema:name "Kunstgeschichtliche Grundbegriffe." ;
    .


Content-negotiable representations

ウインドウを閉じる

WorldCatにログインしてください 

アカウントをお持ちではないですか?簡単に 無料アカウントを作成することができます。.