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The private Melville

Verfasser/in: Philip Young
Verlag: University Park, Pa. : Pennsylvania State University Press, ©1993.
Ausgabe/Format   Buch : Bundesstaatliche Regierungsveröffentlichung : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
The Private Melville demonstrates how great a role his profound sense of privacy played in Melville's life and work. Secrets he was careful never to reveal are unmasked by Philip Young. Privacy, as it appears to Melville here, is of three types. First are family matters the public had no business knowing about, such as the life story of a secret half-sister; next the story of the life of a cousin, Priscilla, model  Weiterlesen…
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Gattung/Form: Criticism, interpretation, etc
Physisches Format Online version:
Young, Philip, 1918-1991.
Private Melville.
University Park, Pa. : Pennsylvania State University Press, ©1993
(OCoLC)607668787
Name: Herman Melville; Herman Melville; Herman Melville
Medientyp: Amtliche Veröffentlichung, Bundesstaatliche Regierungsveröffentlichung, Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Philip Young
ISBN: 0271008571 9780271008578 027102674X 9780271026749
OCLC-Nummer: 25872689
Beschreibung: xii, 163 pages ; 24 cm
Verfasserangabe: Philip Young.

Abstract:

The Private Melville demonstrates how great a role his profound sense of privacy played in Melville's life and work. Secrets he was careful never to reveal are unmasked by Philip Young. Privacy, as it appears to Melville here, is of three types. First are family matters the public had no business knowing about, such as the life story of a secret half-sister; next the story of the life of a cousin, Priscilla, model for the heroine of his novel Pierre, who scandalously "marries" her half-brother; and then a history testing a rash claim made by Melville regarding the lineage of "hundreds" of ordinary New England families. The second type concerns four Berkshire Tales that depend heavily on "private jokes," and thus have secret meaning that escaped the editors who printed them and continue to evade critics and scholars. The third kind deals with two "fictions" so little understood that the meaning might as well be secret: a speech of Ahab's, which is called the "spiritual climax" of Moby-Dick; and Melville's very last fiction, "Daniel Orme," a self-portrait in which he has gone pretty much unrecognized.

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