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The problem of poetry in the Romantic period

Author: Mark Storey
Publisher: Houndmills, Hampshire : Macmillan ; New York : St. Martin's Press, 2000.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"The relationship between the various Romantic manifestos and the major poetry of the time is here examined by one of our leading critics of Romanticism. In spite of the apparent confidence associated with so many of these writers, Mark Storey argues that there is an underlying unease about the validity of poetry, perhaps best represented by Wordsworth's lines: 'We Poets in our youth begin in gladness;/ But thereof  Read more...
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Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Mark Storey
ISBN: 0312230443 9780312230449 033373890X 9780333738900
OCLC Number: 42454359
Description: xi, 197 pages ; 23 cm
Contents: Lyrical ballads: 'The burden of the mystery' --
Coleridge: 'The self-consuming breast' --
The prelude: 'The wavering balance of my mind' --
Keats and Shelley: 'The dark idolatry of self' --
Clare: 'This sad non-identity' --
Byron and Clare: 'An indigestion of the mind'.
Responsibility: Mark Storey.
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Abstract:

This text provides an exploration of the way in which several of the major British Romantic poets confront the writing and theorizing of poetry. The apparent confidence of the manifestos is  Read more...

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Primary Entity

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    schema:reviewBody ""The relationship between the various Romantic manifestos and the major poetry of the time is here examined by one of our leading critics of Romanticism. In spite of the apparent confidence associated with so many of these writers, Mark Storey argues that there is an underlying unease about the validity of poetry, perhaps best represented by Wordsworth's lines: 'We Poets in our youth begin in gladness;/ But thereof comes in the end despondency and madness'. The question, 'What is a poet?' is frequently asked, and many of the answers are involved with issues of identity, which in turn are reflected in the poetry. The doubts about individual abilities are matched by doubts as to what poetry can actually achieve: eventually there is even a sense that poetry can be destructive, and that the poet is best either silent or dead. Separate chapters are devoted to Wordsworth, Coleridge, Keats and Shelley, John Clare, Byron, and George Darley, all of whom confront themselves in their work."--Jacket." ;
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