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Problems of Dostoevsky's poetics

Autore: M M Bakhtin; Caryl Emerson
Editore: Minneapolis : University of Minnesota Press, 1984.
Serie: Theory and history of literature.
Edizione/Formato:   book_printbook : State or province government publication : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
This book is the ideal introduction to the thought of Mikhail Bakhtin. Bakhtin is becoming established as one of the giants of 20th century literary criticsm, despite his work being unknown in the West until the 1970's. This book is less about Dostoyevsky per se, rather a profound meditation on how Dostoyevsky's art exemplifies the central concern of Bakhtin, the concept of 'dialogism'. This idea defies a simple  Per saperne di più…
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Dettagli

Genere/forma: Criticism, interpretation, etc
Translations
Translations into English
Persona incaricata: Fyodor Dostoyevsky; Fyodor Dostoyevsky; Fyodor Dostoyevsky
Tipo materiale: Government publication, State or province government publication, Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: M M Bakhtin; Caryl Emerson
ISBN: 0816612277 9780816612277 0816612285 9780816612284
Numero OCLC: 9683655
Nota sulla lingua: Translation of: Problemy poėtiki Dostoevskogo.
Note: Includes appendices and glossary.
Descrizione: xliii, 333 pages ; 24 cm.
Contenuti: 1. Dostoevsky's polyphonic novel and its treatment in critical literature --
2. The hero, and the position of the author with regard to the hero, in Dostoevsky's art --
3. The idea in Dostoevsky --
4. Characteristics of genre and plot composition --
5. Discourse in Dostoevsky.
Titolo della serie: Theory and history of literature.
Altri titoli: Problemy poėtiki Dostoevskogo.
Responsabilità: Mikhail Bakhtin ; edited and translated by Caryl Emerson ; introduction by Wayne C. Booth.

Abstract:

This book is the ideal introduction to the thought of Mikhail Bakhtin. Bakhtin is becoming established as one of the giants of 20th century literary criticsm, despite his work being unknown in the West until the 1970's. This book is less about Dostoyevsky per se, rather a profound meditation on how Dostoyevsky's art exemplifies the central concern of Bakhtin, the concept of 'dialogism'. This idea defies a simple definition; the book in exploring manifold aspects of it, itself becomes truly dialogic. If you value Dostoyevsky as an artist, require an antidote to the chill winds of modern 'Theory', or simply appreciate genius at work, catch up with one of the best kept secrets in literature.

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