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Problems of Dostoevsky's poetics

Auteur : M M Bakhtin; Caryl Emerson
Éditeur : Minneapolis : University of Minnesota Press, 1984.
Collection : Theory and history of literature.
Édition/format :   Print book : Publication gouvernementale provinciale ou d'état : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
This book is the ideal introduction to the thought of Mikhail Bakhtin. Bakhtin is becoming established as one of the giants of 20th century literary criticsm, despite his work being unknown in the West until the 1970's. This book is less about Dostoyevsky per se, rather a profound meditation on how Dostoyevsky's art exemplifies the central concern of Bakhtin, the concept of 'dialogism'. This idea defies a simple  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
Translations
Translations into English
Personne nommée : Fyodor Dostoyevsky; Fyodor Dostoyevsky; Fyodor Dostoyevsky
Type d’ouvrage : Publication gouvernementale, Publication gouvernementale provinciale ou d'état, Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : M M Bakhtin; Caryl Emerson
ISBN : 0816612277 9780816612277 0816612285 9780816612284
Numéro OCLC : 9683655
Note sur la langue : Translation of: Problemy poėtiki Dostoevskogo.
Notes : Includes appendices and glossary.
Description : xliii, 333 pages ; 24 cm.
Contenu : 1. Dostoevsky's polyphonic novel and its treatment in critical literature --
2. The hero, and the position of the author with regard to the hero, in Dostoevsky's art --
3. The idea in Dostoevsky --
4. Characteristics of genre and plot composition --
5. Discourse in Dostoevsky.
Titre de collection : Theory and history of literature.
Autres titres : Problemy poėtiki Dostoevskogo.
Responsabilité : Mikhail Bakhtin ; edited and translated by Caryl Emerson ; introduction by Wayne C. Booth.

Résumé :

This book is the ideal introduction to the thought of Mikhail Bakhtin. Bakhtin is becoming established as one of the giants of 20th century literary criticsm, despite his work being unknown in the West until the 1970's. This book is less about Dostoyevsky per se, rather a profound meditation on how Dostoyevsky's art exemplifies the central concern of Bakhtin, the concept of 'dialogism'. This idea defies a simple definition; the book in exploring manifold aspects of it, itself becomes truly dialogic. If you value Dostoyevsky as an artist, require an antidote to the chill winds of modern 'Theory', or simply appreciate genius at work, catch up with one of the best kept secrets in literature.

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Données liées


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