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Prospero's "true preservers" : Peter Brook, Yukio Ninagawa, and Giorgio Strehler--twentieth-century directors approach Shakespeare's The tempest

Author: Arthur Horowitz
Publisher: Newark : University of Delaware Press ; Cranbury, NJ : Associated University Presses, ©2004.
Edition/Format:   Print book : State or province government publication : EnglishView all editions and formats
Database:WorldCat
Summary:
"Prospero's "True Preservers" is a performance study and analysis of six productions of The Tempest (three by Peter Brooks, two by Giorgio Strehler, and one by Yukio Ninagawa), each performed in a different decade since World War II, and employing four different languages (English, Italian, French, and Japanese). This study explores the ways in which each of these productions reflects the historic period and
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Additional Physical Format: Online version:
Horowitz, Arthur, 1945-
Prospero's "true preservers".
Newark : University of Delaware Press ; Cranbury, NJ : Associated University Presses, ©2004
(OCoLC)645911593
Named Person: William Shakespeare; William Shakespeare; William Shakespeare; Giorgio Strehler; Yukio Ninagawa; Peter Brook; William Shakespeare; William Shakespeare; William Shakespeare; Giorgio Strehler; Yukio Ninagawa; Peter Brook; William Shakespeare; William Shakespeare
Material Type: Government publication, State or province government publication, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Arthur Horowitz
ISBN: 087413854X 9780874138542
OCLC Number: 53183453
Description: 227 pages ; 24 cm
Contents: The "Possibilities" of The Tempest --
Giorgio Strehler: The Tempest, 1948 --
Peter Brook: The Tempest, 1957 --
Peter Brook's "Experiment": The 1968 Tempest --
Giorgio Strehler, 1978 --
The No Tempest: Yukio Ninagawa, 1988 --
Peter Brook: The Tempest, 1990 --
The Boy in the Sandbox.
Responsibility: Arthur Horowitz.
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Abstract:

Arthur Horowitz explores how three modern directors have adapted and applied African story-telling techniques, textual deconstruction, traditional Japanese art and theatrical forms, and Italian stage  Read more...

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