skip to content
Prospero's Preview this item
ClosePreview this item
Checking...

Prospero's "true preservers" : Peter Brook, Yukio Ninagawa, and Giorgio Strehler--twentieth-century directors approach Shakespeare's The tempest

Author: Arthur Horowitz
Publisher: Newark : University of Delaware Press ; Cranbury, NJ : Associated University Presses, ©2004.
Edition/Format:   Book : State or province government publication : EnglishView all editions and formats
Database:WorldCat
Summary:
"Prospero's "True Preservers" is a performance study and analysis of six productions of The Tempest (three by Peter Brooks, two by Giorgio Strehler, and one by Yukio Ninagawa), each performed in a different decade since World War II, and employing four different languages (English, Italian, French, and Japanese). This study explores the ways in which each of these productions reflects the historic period and
Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

 

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Additional Physical Format: Online version:
Horowitz, Arthur, 1945-
Prospero's "true preservers"
Newark : University of Delaware Press ; Cranbury, NJ : Associated University Presses, c2004
(OCoLC)645911593
Named Person: William Shakespeare; William Shakespeare; William Shakespeare; Giorgio Strehler; Yukio Ninagawa; Peter Brook; William Shakespeare; William Shakespeare; William Shakespeare; Giorgio Strehler; Yukio Ninagawa; Peter Brook; William Shakespeare
Material Type: Government publication, State or province government publication, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Arthur Horowitz
ISBN: 087413854X 9780874138542
OCLC Number: 53183453
Description: 227 p. ; 24 cm.
Contents: The "Possibilities" of The Tempest --
Giorgio Strehler: The Tempest, 1948 --
Peter Brook: The Tempest, 1957 --
Peter Brook's "Experiment": The 1968 Tempest --
Giorgio Strehler, 1978 --
The No Tempest: Yukio Ninagawa, 1988 --
Peter Brook: The Tempest, 1990 --
The Boy in the Sandbox.
Responsibility: Arthur Horowitz.
More information:

Abstract:

Arthur Horowitz explores how three modern directors have adapted and applied African story-telling techniques, textual deconstruction, traditional Japanese art and theatrical forms, and Italian stage  Read more...

Reviews

User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


<http://www.worldcat.org/oclc/53183453>
library:oclcnum"53183453"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/53183453>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.loc.gov/authorities/subjects/sh85134542>
rdf:typeschema:Intangible
schema:name"Theater--Production and direction--History--20th century."@en
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"2004"
schema:creator
schema:datePublished"2004"
schema:exampleOfWork<http://worldcat.org/entity/work/id/797219243>
schema:genre"Criticism, interpretation, etc."@en
schema:genre"History"@en
schema:inLanguage"en"
schema:name"Prospero's "true preservers" : Peter Brook, Yukio Ninagawa, and Giorgio Strehler--twentieth-century directors approach Shakespeare's The tempest"@en
schema:numberOfPages"227"
schema:publisher
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/53183453>
schema:reviewBody""Prospero's "True Preservers" is a performance study and analysis of six productions of The Tempest (three by Peter Brooks, two by Giorgio Strehler, and one by Yukio Ninagawa), each performed in a different decade since World War II, and employing four different languages (English, Italian, French, and Japanese). This study explores the ways in which each of these productions reflects the historic period and cultural milieu in which it was mounted."
schema:url
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBA4Y1975>

Content-negotiable representations

Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.