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The proud highway : saga of a desperate southern gentleman, 1955-1967

作者: Hunter S Thompson; Douglas Brinkley
出版商: New York : Villard, ©1997.
版本/格式:   圖書 : 傳記 : 英語 : 1st ed所有版本和格式的總覽
資料庫:WorldCat
提要:
This first volume of the Fear and Loathing Letters begins with a high school essay written in 1955 - when Hunter S. Thompson was a wise (perhaps too wise) teenager in Louisville - and takes us through 1967, when the publication of Hell's Angels made the author an international celebrity (and nearly resulted in his death). In the intervening years, Thompson's prolific and often profound correspondence gives us an  再讀一些...
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類型/形式: Records and correspondence
Correspondence
其他的實體格式: Online version:
Thompson, Hunter S.
Proud highway.
New York : Villard, c1997
(OCoLC)606112695
提及的人: Hunter S Thompson; Hunter S Thompson
資料類型: 傳記
文件類型: 圖書
所有的作者/貢獻者: Hunter S Thompson; Douglas Brinkley
ISBN: 0679452850 9780679452850 0679406956 9780679406952
OCLC系統控制編碼: 36011636
注意: Includes index.
描述: xxxii, 683 p. : ill. ; 25 cm.
内容: v.1 - The fear and loathing letters.
責任: Hunter S. Thompson ; foreword by William J. Kennedy ; edited by Douglas Brinkley.

摘要:

This first volume of the Fear and Loathing Letters begins with a high school essay written in 1955 - when Hunter S. Thompson was a wise (perhaps too wise) teenager in Louisville - and takes us through 1967, when the publication of Hell's Angels made the author an international celebrity (and nearly resulted in his death). In the intervening years, Thompson's prolific and often profound correspondence gives us an unforgettable vista of the America of the Eisenhower and Kennedy years as well as an authoritative introduction to the cultural revolution of the sixties. With a vicious eye for detail, a rude wit, and a brutal take on any and all pretenders, Thompson's missiles pierce pomposity and rattle the soul. Whether written to his mother, Virginia, or to such luminaries as Charles Kuralt, Philip Graham, Norman Mailer, Tom Wolfe, Carey McWilliams, Lyndon Johnson, and Joan Baez, the letters represent the evolution of an American original, a singular voice defying an era of banality.

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