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A Proust souvenir

Auteur : William Howard Adams; Paul Nadar; Marcel Proust
Éditeur : New York : Vendome Press, 1984.
Édition/format :   Print book : Biographie : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
Grouped together after the part-title "Swann's Way" are the portraits of the family members, diplomats, doctors, school friends, salonistes, and servants who made up the Right Bank bourgeois milieu into which Proust was born. Part-title "The Guermantes Way" includes the aristocratic, Faubourg Saint-Germain world to which Proust aspired. With part-title "The Artists' and Writers' Way" come the Bergotte of Anatole  Lire la suite...
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Détails

Genre/forme : Biography
History
Biographies
Format – détails additionnels : Online version:
Adams, William Howard.
Proust souvenir.
New York : Vendome Press, 1984
(OCoLC)560477052
Online version:
Adams, William Howard.
Proust souvenir.
New York : Vendome Press, 1984
(OCoLC)605887044
Personne nommée : Marcel Proust; Marcel Proust; Proust, Marcel <1871-1922> - Amis et relations.; Proust, Marcel <1871-1922> - Personnages.; Marcel Proust; Marcel Proust; Marcel Proust; Marcel Proust; Marcel Proust
Type d’ouvrage : Biographie
Format : Livre
Tous les auteurs / collaborateurs : William Howard Adams; Paul Nadar; Marcel Proust
ISBN : 0865650438 9780865650435 086565042X 9780865650428
Numéro OCLC : 10722977
Notes : Includes excerpts from Remembrance of things past.
Description : 128 pages : illustrations ; 25 cm
Responsabilité : William Howard Adams ; period photographs by Paul Nadar.

Résumé :

Grouped together after the part-title "Swann's Way" are the portraits of the family members, diplomats, doctors, school friends, salonistes, and servants who made up the Right Bank bourgeois milieu into which Proust was born. Part-title "The Guermantes Way" includes the aristocratic, Faubourg Saint-Germain world to which Proust aspired. With part-title "The Artists' and Writers' Way" come the Bergotte of Anatole France and actresses with whom he became romatically involved. The closing section is the self-portrait of Paul Nadar, son fo Felix Nadar, the legendary avant-gardist in whose studio the Impressionists had held their first exhibition.

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Données liées


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