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Proust, the body, and literary form Titelvorschau
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Proust, the body, and literary form

Verfasser/in: Michael R Finn
Verlag: Cambridge, U.K. ; New York, N.Y., U.S.A. : Cambridge University Press, 1999.
Serien: Cambridge studies in French, 59.
Ausgabe/Format   E-Book : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
This study examines the connections between Proust's fin-de-siecle 'nervousness' and his apprehensions regarding literary form. Michael Finn shows that Proust's anxieties both about bodily weakness and about novel-writing were fed by a set of intriguing psychological and medical texts, and were mirrored in the nerve-based afflictions of other writers including Flaubert, Baudelaire, Nerval and the Goncourt brothers.  Weiterlesen…
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Gattung/Form: Electronic books
Physisches Format Print version:
Finn, Michael R.
Proust, the body, and literary form.
Cambridge, U.K. ; New York, N.Y., U.S.A. : Cambridge University Press, 1999
(DLC) 98035829
(OCoLC)39456040
Name: Marcel Proust; Marcel Proust
Medientyp: Internetquelle
Dokumenttyp: Internet-Ressource, Computer-Datei
Alle Autoren: Michael R Finn
ISBN: 0511005075 9780511005077
OCLC-Nummer: 47011052
Beschreibung: 1 online resource (viii, 207 pages).
Inhalt: 1. Proust between neurasthenia and hysteria. Nervous precursors. The novel of the neurasthenic. Writing and volition. Involition's way. Neurasthenia: diagnosis and response --
2. An anxiety of language. Speaking the Other. The language hysteria of Sainte-Beuve. Voicing Bergotte --
3. Transitive writing. Correspondence. Journalism. Literary criticism. The pastiche: 'notre voix interieure' --
4. Form: from anxiety to play. Closure. Openness and incompletion. Structure as iteration. Marcel's voice: the recurring author.
Serientitel: Cambridge studies in French, 59.
Verfasserangabe: Michael R. Finn.

Abstract:

This study examines the connections between Proust's fin-de-siecle 'nervousness' and his apprehensions regarding literary form. Michael Finn shows that Proust's anxieties both about bodily weakness and about novel-writing were fed by a set of intriguing psychological and medical texts, and were mirrored in the nerve-based afflictions of other writers including Flaubert, Baudelaire, Nerval and the Goncourt brothers. Finn argues that once Proust cast off his nervous concerns he was free to poke fun at the supposed purity of the novel form.

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