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Proust, the body, and literary form

著者: Michael R Finn
出版: Cambridge, U.K. ; New York, N.Y., U.S.A. : Cambridge University Press, 1999.
シリーズ: Cambridge studies in French, 59.
エディション/フォーマット:   電子書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
This study examines the connections between Proust's fin-de-siecle 'nervousness' and his apprehensions regarding literary form. Michael Finn shows that Proust's anxieties both about bodily weakness and about novel-writing were fed by a set of intriguing psychological and medical texts, and were mirrored in the nerve-based afflictions of other writers including Flaubert, Baudelaire, Nerval and the Goncourt brothers.  続きを読む
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ジャンル/形式: Electronic books
Criticism, interpretation, etc
その他のフォーマット: Print version:
Finn, Michael R.
Proust, the body, and literary form.
Cambridge, U.K. ; New York, N.Y., U.S.A. : Cambridge University Press, 1999
(DLC) 98035829
(OCoLC)39456040
関連の人物: Marcel Proust; Marcel Proust; Marcel Proust
資料の種類: インターネット資料
ドキュメントの種類: インターネットリソース, コンピューターファイル
すべての著者/寄与者: Michael R Finn
ISBN: 0511005075 9780511005077
OCLC No.: 47011052
物理形態: 1 online resource (viii, 207 pages).
コンテンツ: 1. Proust between neurasthenia and hysteria. Nervous precursors. The novel of the neurasthenic. Writing and volition. Involition's way. Neurasthenia: diagnosis and response --
2. An anxiety of language. Speaking the Other. The language hysteria of Sainte-Beuve. Voicing Bergotte --
3. Transitive writing. Correspondence. Journalism. Literary criticism. The pastiche: 'notre voix interieure' --
4. Form: from anxiety to play. Closure. Openness and incompletion. Structure as iteration. Marcel's voice: the recurring author.
シリーズタイトル: Cambridge studies in French, 59.
責任者: Michael R. Finn.

概要:

This study examines the connections between Proust's fin-de-siecle 'nervousness' and his apprehensions regarding literary form. Michael Finn shows that Proust's anxieties both about bodily weakness and about novel-writing were fed by a set of intriguing psychological and medical texts, and were mirrored in the nerve-based afflictions of other writers including Flaubert, Baudelaire, Nerval and the Goncourt brothers. Finn argues that once Proust cast off his nervous concerns he was free to poke fun at the supposed purity of the novel form.

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