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Proust, the body, and literary form

저자: Michael R Finn
출판사: Cambridge, U.K. ; New York, N.Y., U.S.A. : Cambridge University Press, 1999.
시리즈: Cambridge studies in French, 59.
판/형식:   전자도서 : 영어모든 판과 형식 보기
데이터베이스:WorldCat
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This study examines the connections between Proust's fin-de-siecle 'nervousness' and his apprehensions regarding literary form. Michael Finn shows that Proust's anxieties both about bodily weakness and about novel-writing were fed by a set of intriguing psychological and medical texts, and were mirrored in the nerve-based afflictions of other writers including Flaubert, Baudelaire, Nerval and the Goncourt brothers.  더 읽기…
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장르/형태: Electronic books
Criticism, interpretation, etc
추가적인 물리적 형식: Print version:
Finn, Michael R.
Proust, the body, and literary form.
Cambridge, U.K. ; New York, N.Y., U.S.A. : Cambridge University Press, 1999
(DLC) 98035829
(OCoLC)39456040
명시된 사람: Marcel Proust; Marcel Proust; Marcel Proust
자료 유형: 인터넷 자료
문서 형식: 인터넷 자원, 컴퓨터 파일
모든 저자 / 참여자: Michael R Finn
ISBN: 0511005075 9780511005077
OCLC 번호: 47011052
설명: 1 online resource (viii, 207 pages).
내용: 1. Proust between neurasthenia and hysteria. Nervous precursors. The novel of the neurasthenic. Writing and volition. Involition's way. Neurasthenia: diagnosis and response --
2. An anxiety of language. Speaking the Other. The language hysteria of Sainte-Beuve. Voicing Bergotte --
3. Transitive writing. Correspondence. Journalism. Literary criticism. The pastiche: 'notre voix interieure' --
4. Form: from anxiety to play. Closure. Openness and incompletion. Structure as iteration. Marcel's voice: the recurring author.
일련 제목: Cambridge studies in French, 59.
책임: Michael R. Finn.

초록:

This study examines the connections between Proust's fin-de-siecle 'nervousness' and his apprehensions regarding literary form. Michael Finn shows that Proust's anxieties both about bodily weakness and about novel-writing were fed by a set of intriguing psychological and medical texts, and were mirrored in the nerve-based afflictions of other writers including Flaubert, Baudelaire, Nerval and the Goncourt brothers. Finn argues that once Proust cast off his nervous concerns he was free to poke fun at the supposed purity of the novel form.

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