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Proust, the body, and literary form

著者: Michael R Finn
出版商: Cambridge, U.K. ; New York, N.Y., U.S.A. : Cambridge University Press, 1999.
丛书: Cambridge studies in French, 59.
版本/格式:   电子图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
This study examines the connections between Proust's fin-de-siecle 'nervousness' and his apprehensions regarding literary form. Michael Finn shows that Proust's anxieties both about bodily weakness and about novel-writing were fed by a set of intriguing psychological and medical texts, and were mirrored in the nerve-based afflictions of other writers including Flaubert, Baudelaire, Nerval and the Goncourt brothers.  再读一些...
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详细书目

类型/形式: Electronic books
Criticism, interpretation, etc
附加的形体格式: Print version:
Finn, Michael R.
Proust, the body, and literary form.
Cambridge, U.K. ; New York, N.Y., U.S.A. : Cambridge University Press, 1999
(DLC) 98035829
(OCoLC)39456040
提及的人: Marcel Proust; Marcel Proust; Marcel Proust
材料类型: 互联网资源
文件类型: 互联网资源, 计算机文档
所有的著者/提供者: Michael R Finn
ISBN: 0511005075 9780511005077
OCLC号码: 47011052
描述: 1 online resource (viii, 207 pages).
内容: 1. Proust between neurasthenia and hysteria. Nervous precursors. The novel of the neurasthenic. Writing and volition. Involition's way. Neurasthenia: diagnosis and response --
2. An anxiety of language. Speaking the Other. The language hysteria of Sainte-Beuve. Voicing Bergotte --
3. Transitive writing. Correspondence. Journalism. Literary criticism. The pastiche: 'notre voix interieure' --
4. Form: from anxiety to play. Closure. Openness and incompletion. Structure as iteration. Marcel's voice: the recurring author.
丛书名: Cambridge studies in French, 59.
责任: Michael R. Finn.

摘要:

This study examines the connections between Proust's fin-de-siecle 'nervousness' and his apprehensions regarding literary form. Michael Finn shows that Proust's anxieties both about bodily weakness and about novel-writing were fed by a set of intriguing psychological and medical texts, and were mirrored in the nerve-based afflictions of other writers including Flaubert, Baudelaire, Nerval and the Goncourt brothers. Finn argues that once Proust cast off his nervous concerns he was free to poke fun at the supposed purity of the novel form.

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