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Public enemies

Autor: Michael MannKevin MisherRonan BennettAnn BidermanJohnny DeppTodos os autores
Editora: Universal City, CA : Universal Pictures : Distributed by Universal Studios Home Entertainment, ©2009.
Edição/Formato   Vídeo em DVD : Sistema de transmissão em cor NTSC : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
1933. It is the fourth year of the Great Depression. For John Dillinger, Alvin Karpis and Baby Face Nelson, it is the golden age of bank robbery. After serving a ten-year prison sentence, John Dillinger embarks on a cross-country bank-robbing spree with help from his associates: faithful driver Red Hamilton, cocky lookout Homer Van Meter, and murderous hothead Baby Face Nelson. He relocates to Chicago, where he  Ler mais...
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Detalhes

Gênero/Forma: Feature films
Biographical films
Crime films
Gangster films
Thrillers (Motion pictures)
Film adaptations
Fiction films
Video recordings for the hearing impaired
Drama
Teatro
Pessoa Denominada: Bryan Burrough; John Dillinger; Melvin Purvis; Pretty Boy Floyd
Tipo de Material: Gravação de vídeo
Tipo de Documento: Material visual
Todos os Autores / Contribuintes: Michael Mann; Kevin Misher; Ronan Bennett; Ann Biderman; Johnny Depp; Christian Bale; Marion Cotillard; Jason Clarke; Rory Cochrane; Billy Crudup; Stephen Dorff; Stephen Lang; John Ortiz; Giovanni Ribisi; David Wenham; Bryan Burrough; Universal Pictures (Firm); Relativity Media.; Forward Pass Productions.; Misher Films.; Tribeca Productions.; Appian Way (Firm); Universal Studios Home Entertainment (Firm)
Número OCLC: 437046185
Nota do Idioma: In English, dubbed French or Spanish with optional English subtitles for the deaf and hard of hearing, optional subtitles in Spanish or French, and optional DVS [descriptive video service] for the visually impaired.
Notas: Based on the book by Bryan Burrough.
Special features: Feature commentary with Michael Mann; "Larger Than Life Adversaries" (10 min.); Previews (8 min.).
Créditos: Director of photography, Dante Spinotti ; production designer, Nathan Crowley ; edited by Paul Rubell, Jeffrey Ford ; music composed by Elliot Goldenthal ; costume designer, Colleen Atwood.
Elenco: Johnny Depp, Christian Bale, Marion Cotillard, Jason Clarke, Rory Cochrane, Billie Crudup, Stephen Dorff, Stephen Lang, John Ortiz, Giovanni Ribisi, David Wenham.
Público Alvo: MPAA Rating: Rated R for gangster violence and some language.
Descrição: 1 videodisc (140 min.) : sd., color ; 4 3/4 in.
Detalhes: DVD; Region 1, NTSC; Dolby Digital 5.1 surround, Dolby 2.0 stereo; anamorphic widescreen presentation, aspect ratio 2.40:1.
Conteúdos: Prison break --
Running from the law --
Making money --
Billie --
Modern methods --
You're with me now --
Giving the slip --
Sending for backup --
Behind bars --
People's hero --
Busting out --
Bad for business --
Times change --
Let 'em have it! --
What if? --
Captured --
Inside information --
What's the score? --
Bye bye blackbird --
End titles.
Outros Títulos: Public enemies (Motion picture)
Responsabilidade: a Universal Pictures presentation in association with Relativity Media ; a Forward Pass/Misher Films production in association with Tribeca Productions and Appian Way ; a Michael Mann film ; produced by Kevin Misher, Michael Mann ; screenplay by Ronan Bennett and Michael Mann & Ann Biderman ; directed by Michael Mann.
Mais informações:

Resumo:

1933. It is the fourth year of the Great Depression. For John Dillinger, Alvin Karpis and Baby Face Nelson, it is the golden age of bank robbery. After serving a ten-year prison sentence, John Dillinger embarks on a cross-country bank-robbing spree with help from his associates: faithful driver Red Hamilton, cocky lookout Homer Van Meter, and murderous hothead Baby Face Nelson. He relocates to Chicago, where he meets hatcheck girl Billie Frechette and falls in love, but struggles to reconcile his new romance with his life on the run. Meanwhile, FBI director J. Edgar Hoover has enlisted Special Agent Melvin Purvis to use the latest techniques and equipment to catch Dillinger-Public Enemy Number One-even as Purvis realizes that doing so may stretch his principles to the breaking point.

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