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The Purcell companion

Autor: Michael Burden
Editora: Portland, Or. : Amadeus Press, 1995.
Edição/Formato   Print book : Biografia : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
Henry Purcell has been acknowledged as one of England's greatest composers. Little is known about his life beyond his official appointments and their duties, but as a musician he excelled as a servant of the Court, the Church and the theatre, writing odes, welcome songs, sonatas, anthems, service music, and a series of operatic extravaganzas which fascinated the public during the 1690s. The Purcell Companion opens  Ler mais...
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Detalhes

Gênero/Forma: Biography
Criticism, interpretation, etc
Pessoa Denominada: Henry Purcell; Henry Purcell
Tipo de Material: Biografia, Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Michael Burden
ISBN: 0931340934 9780931340932 0931340926 9780931340925
Número OCLC: 32614463
Notas: Originally published: London : Faber and Faber, 1994.
Descrição: x, 504 pages, [16] pages of plates : illustrations ; 23 cm
Conteúdos: Purcell phenomenon / Andrew Pinnock --
Purcell and the English Baroque / Jonathan P. Wainwright --
Purcell's Italianate circle / Graham Dixon --
Purcell and his contemporaries / Michael Burden --
Music for the church / Eric Van Tassel --
Purcell's odes: a reappraisal / Bruce Wood --
Consort music / Peter Holman --
Theatrical background / Edward A. Langhans --
Theatre music / Roger Savage --
Performing Purcell / Andrew Parrott --
Producing Dido and Aeneas: an investigation into sixteen problems / Roger Savage.
Responsabilidade: edited by Michael Burden.

Resumo:

Henry Purcell has been acknowledged as one of England's greatest composers. Little is known about his life beyond his official appointments and their duties, but as a musician he excelled as a servant of the Court, the Church and the theatre, writing odes, welcome songs, sonatas, anthems, service music, and a series of operatic extravaganzas which fascinated the public during the 1690s. The Purcell Companion opens with four background chapters on his position in British musical history, on music in London during his lifetime, on his Italian connections and on his contemporaries. In the section on the music, Eric Van Tassel presents a new view of the church music, Bruce Wood re-assesses the odes, and Peter Holman writes perceptively about the instrumental music. On the theatre works, Edward Langhans considers their context, while Roger Savage studies the music for the operas and plays. Finally, Andrew Parrott deals with aspects of performance. A bibliography details research undertaken on the various aspects of Purcell's life and career. --From publisher's description.

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