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Que la bete meure = The beast must die.

Auteur: Claude ChabrolJean YannePierre JansenJean RabierJacques GaillardAlle auteurs
Uitgever: [England] : Art House Productions, 1995.
Serie: Chabrol collection.
Editie/Formaat:   VHS-video : PAL-kleurentelevisie-standaard : VHS-band   Visueel materiaal : FransAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
A story of revenge in which Charles sets out to hunt down the driver of the car that killed his son in a hit-and-run accident. His quarry turns out to be one of Chabrol's bourgeois savages whose son would also like to be rid of him. Ultimately the story can be viewed in different ways. As a classical revenge story it recalls the fatalistic cinema of Fritz Lang (Rancho Notorious, The Big Heat). Alternatively as a  Meer lezen...
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Details

Genre/Vorm: Drama
Genre: Video-opname
Soort document: Visueel materiaal
Alle auteurs / medewerkers: Claude Chabrol; Jean Yanne; Pierre Jansen; Jean Rabier; Jacques Gaillard; Anouk Ferjak; Marc Di Napoli; Paul Gegauff; Guy Chichignoud; Michel Duchaussoy; Caroline Cellier; Nicholas Blake; Rizzoli Films.; Film La Boetie.
OCLC-nummer: 222100844
Taalopmerking: In French with English subtitles.
Opmerkingen: Color recording system: PAL>
Based on the novel by Nicholas Blake.
Also known as Killer!.
Letterboxed to retain widescreen (1:1.85) proportions.
Credits: Director, Claude Chabrol ; script, Paul Gegauff ; music, Pierre Jansen ; editor, Jacques Gaillard ; sound, Guy Chichignoud ; photography, Jean Rabier.
Rolbezetting: Michel Duchaussoy, Caroline Cellier, Jean Yanne, Anouk Ferjak, Marc Di Napoli.
Doelgroep: Censorship rating: M15+ Recommended for persons 15 years and over. Some coarse language.; Note: For classroom use only ; not for public exhibition.
Beschrijving: 1 videocassette (VHS) (110 min.) : sd., col. ; 1/2 in.
Serietitel: Chabrol collection.
Andere titels: Killer
Beast must die

Fragment:

A story of revenge in which Charles sets out to hunt down the driver of the car that killed his son in a hit-and-run accident. His quarry turns out to be one of Chabrol's bourgeois savages whose son would also like to be rid of him. Ultimately the story can be viewed in different ways. As a classical revenge story it recalls the fatalistic cinema of Fritz Lang (Rancho Notorious, The Big Heat). Alternatively as a story of guilt and redemption it is more in line with Hitchcock's morally ambiguous "transference of guilt" dramas such as I Confess. Finally the cool deliberation in portrayal of the monstrous Paul and the encouragement of our complicity with the tragically flawed Charles is Lang and Hitchcock plus Chabrol.

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Gekoppelde data


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