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Que la bete meure = The beast must die.

作者: Claude ChabrolJean YannePierre JansenJean RabierJacques Gaillard所有作者
出版商: [England] : Art House Productions, 1995.
叢書: Chabrol collection.
版本/格式:   VHS影像 : PAL彩色電視廣播系統 : VHS錄影帶   影像資料 : 法文所有版本和格式的總覽
資料庫:WorldCat
提要:
A story of revenge in which Charles sets out to hunt down the driver of the car that killed his son in a hit-and-run accident. His quarry turns out to be one of Chabrol's bourgeois savages whose son would also like to be rid of him. Ultimately the story can be viewed in different ways. As a classical revenge story it recalls the fatalistic cinema of Fritz Lang (Rancho Notorious, The Big Heat). Alternatively as a  再讀一些...
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詳細書目

類型/形式: Drama
資料類型: 錄影
文件類型: 影像資料
所有的作者/貢獻者: Claude Chabrol; Jean Yanne; Pierre Jansen; Jean Rabier; Jacques Gaillard; Anouk Ferjak; Marc Di Napoli; Paul Gegauff; Guy Chichignoud; Michel Duchaussoy; Caroline Cellier; Nicholas Blake; Rizzoli Films.; Film La Boetie.
OCLC系統控制編碼: 222100844
語言註釋: In French with English subtitles.
注意: Color recording system: PAL>
Based on the novel by Nicholas Blake.
Also known as Killer!.
Letterboxed to retain widescreen (1:1.85) proportions.
餘額: Director, Claude Chabrol ; script, Paul Gegauff ; music, Pierre Jansen ; editor, Jacques Gaillard ; sound, Guy Chichignoud ; photography, Jean Rabier.
演員名單: Michel Duchaussoy, Caroline Cellier, Jean Yanne, Anouk Ferjak, Marc Di Napoli.
針對讀者群: Censorship rating: M15+ Recommended for persons 15 years and over. Some coarse language.; Note: For classroom use only ; not for public exhibition.
描述: 1 videocassette (VHS) (110 min.) : sd., col. ; 1/2 in.
叢書名: Chabrol collection.
其他題名: Killer
Beast must die

摘要:

A story of revenge in which Charles sets out to hunt down the driver of the car that killed his son in a hit-and-run accident. His quarry turns out to be one of Chabrol's bourgeois savages whose son would also like to be rid of him. Ultimately the story can be viewed in different ways. As a classical revenge story it recalls the fatalistic cinema of Fritz Lang (Rancho Notorious, The Big Heat). Alternatively as a story of guilt and redemption it is more in line with Hitchcock's morally ambiguous "transference of guilt" dramas such as I Confess. Finally the cool deliberation in portrayal of the monstrous Paul and the encouragement of our complicity with the tragically flawed Charles is Lang and Hitchcock plus Chabrol.

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schema:datePublished"1995"
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