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Queen of fashion : what Marie Antoinette wore to the Revolution

著者: Caroline Weber
出版: New York : H. Holt, 2006.
エディション/フォーマット:   書籍 : Biography : English : 1st edすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Marie Antoinette has always stood as an icon of supreme style, but surprisingly none of her biographers have paid sustained attention to her clothes. Here, 18th-century specialist Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution  続きを読む
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詳細

ジャンル/形式: History
関連の人物: Marie Antoinette, Queen consort of Louis XVI King of France; Königin) Marie Antoinette (Frankreich; Marie Antoinette, Queen consort of Louis XVI King of France
資料の種類: Biography, インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Caroline Weber
ISBN: 0805079491 9780805079494
OCLC No.: 65187371
物理形態: 412 p., [16] p. of plates : ill. (some col.) ; 25 cm.
コンテンツ: Pandora's box --
Stripped --
Corseted --
Ride like a man --
The pouf ascendant --
The simple life --
Galled --
Revolutionary redress --
True colors --
Black --
White --
Afterward: fashion victim.
責任者: Caroline Weber.
その他の情報:

概要:

Marie Antoinette has always stood as an icon of supreme style, but surprisingly none of her biographers have paid sustained attention to her clothes. Here, 18th-century specialist Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution in Dress," covering each phase of her tumultuous life, beginning with the young girl struggling to survive Versailles's rigid traditions of royal glamour. As queen, Marie Antoinette used stunning, often extreme costumes to project an image of power. Gradually, however, she began to lose her hold on the French when she started to adopt provocative, "unqueenly" outfits that, ironically, would be adopted by the revolutionaries who executed her. The paradox of her tragic story, according to Weber, is that fashion--the vehicle she used to secure her triumphs--was also her undoing.--From publisher description.

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