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Queen of fashion : what Marie Antoinette wore to the Revolution

저자: Caroline Weber
출판사: New York : H. Holt, 2006.
판/형식:   Print book : 전기 : 영어 : 1st ed모든 판과 형식 보기
데이터베이스:WorldCat
요약:
Marie Antoinette has always stood as an icon of supreme style, but surprisingly none of her biographers have paid sustained attention to her clothes. Here, 18th-century specialist Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution  더 읽기…
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장르/형태: History
명시된 사람: Marie Antoinette, Queen consort of Louis XVI King of France; Marie Antoinette, Queen consort of Louis XVI King of France; Königin) Marie Antoinette (Frankreich
자료 유형: 전기, 인터넷 자료
문서 형식: 책, 인터넷 자원
모든 저자 / 참여자: Caroline Weber
ISBN: 0805079491 9780805079494 0312427344 9780312427344
OCLC 번호: 65187371
설명: 412 pages, [16] pages of plates : illustrations (some color) ; 25 cm
내용: Pandora's box --
Stripped --
Corseted --
Ride like a man --
The pouf ascendant --
The simple life --
Galled --
Revolutionary redress --
True colors --
Black --
White --
Afterward: fashion victim.
책임: Caroline Weber.
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초록:

Marie Antoinette has always stood as an icon of supreme style, but surprisingly none of her biographers have paid sustained attention to her clothes. Here, 18th-century specialist Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution in Dress," covering each phase of her tumultuous life, beginning with the young girl struggling to survive Versailles's rigid traditions of royal glamour. As queen, Marie Antoinette used stunning, often extreme costumes to project an image of power. Gradually, however, she began to lose her hold on the French when she started to adopt provocative, "unqueenly" outfits that, ironically, would be adopted by the revolutionaries who executed her. The paradox of her tragic story, according to Weber, is that fashion--the vehicle she used to secure her triumphs--was also her undoing.--From publisher description.

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