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Queen of fashion : what Marie Antoinette wore to the Revolution

著者: Caroline Weber
出版商: New York : H. Holt, 2006.
版本/格式:   图书 : 传记 : 英语 : 1st ed查看所有的版本和格式
数据库:WorldCat
提要:
Marie Antoinette has always stood as an icon of supreme style, but surprisingly none of her biographers have paid sustained attention to her clothes. Here, 18th-century specialist Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution  再读一些...
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详细书目

类型/形式: History
提及的人: Marie Antoinette, Queen consort of Louis XVI King of France; Königin) Marie Antoinette (Frankreich; Marie Antoinette, Queen consort of Louis XVI King of France
材料类型: 传记, 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Caroline Weber
ISBN: 0805079491 9780805079494
OCLC号码: 65187371
描述: 412 p., [16] p. of plates : ill. (some col.) ; 25 cm.
内容: Pandora's box --
Stripped --
Corseted --
Ride like a man --
The pouf ascendant --
The simple life --
Galled --
Revolutionary redress --
True colors --
Black --
White --
Afterward: fashion victim.
责任: Caroline Weber.
更多信息:

摘要:

Marie Antoinette has always stood as an icon of supreme style, but surprisingly none of her biographers have paid sustained attention to her clothes. Here, 18th-century specialist Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution in Dress," covering each phase of her tumultuous life, beginning with the young girl struggling to survive Versailles's rigid traditions of royal glamour. As queen, Marie Antoinette used stunning, often extreme costumes to project an image of power. Gradually, however, she began to lose her hold on the French when she started to adopt provocative, "unqueenly" outfits that, ironically, would be adopted by the revolutionaries who executed her. The paradox of her tragic story, according to Weber, is that fashion--the vehicle she used to secure her triumphs--was also her undoing.--From publisher description.

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