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R. Crumb

Auteur : R Crumb; Milo George; Gary Groth; Patrick Rosenkranz
Éditeur: Seattle, Wash. : Fantagraphics Books, 2004.
Collection: Comics journal library, 3.
Édition/format:   Livre imprimé : Biographie : Anglais : 1st edVoir toutes les éditions et tous les formats
Résumé:
"Few cartoonists have affected our world the way Robert Crumb (1943- ) has, from busting cultural and sexual taboos for artists everywhere with his pioneering underground comix to his never-ending drive to improve his art. This book, the third volume of The comics Journal Library series, presents a composite portrait of the artist through four long out-of-print interviews from the Utne Independent Press  Lire la suite...
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Détails

Genre/forme: Interviews
Personne nommée: R Crumb; R Crumb
Type d’ouvrage: Biographie
Type de document: Livre
Tous les auteurs / collaborateurs: R Crumb; Milo George; Gary Groth; Patrick Rosenkranz
ISBN: 1560975644 9781560975649
Numéro OCLC: 55132684
Notes: Statement of responsibility taken from title page verso.
Includes interviews conducted by Patrick Rosenkranz and Gary Groth, the latter originally published in The comics journal, 1988-1995.
Description: 114 pages : illustrations (some color) ; 31 x 31 cm.
Contenu: Introduction --
Essay --
The interviews --
Color Gallery.
Titre de collection: Comics journal library, 3.
Autres titres: Comics journal.
Responsabilité: [edited by Milo George].

Résumé:

"Few cartoonists have affected our world the way Robert Crumb (1943- ) has, from busting cultural and sexual taboos for artists everywhere with his pioneering underground comix to his never-ending drive to improve his art. This book, the third volume of The comics Journal Library series, presents a composite portrait of the artist through four long out-of-print interviews from the Utne Independent Press Award-winning magazine's archives and a never-before-published chat from the artist's 1980s renaissance. This volume spans Crumb's life and career, covering his views on sex, politics, art, racism and culture, his peers and family, his flirtations with success on America's terms and his later rejections of those terms. It also provides an absorbing oral history of the latter half of the 20th century from the point of view of an artist who helped shape it"--Back cover.

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