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R. Crumb

Autore: R Crumb; Milo George; Gary Groth; Patrick Rosenkranz
Editore: Seattle, Wash. : Fantagraphics Books, 2004.
Serie: Comics journal library, 3.
Edizione/Formato:   book_printbook : Biography : English : 1st edVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"Few cartoonists have affected our world the way Robert Crumb (1943- ) has, from busting cultural and sexual taboos for artists everywhere with his pioneering underground comix to his never-ending drive to improve his art. This book, the third volume of The comics Journal Library series, presents a composite portrait of the artist through four long out-of-print interviews from the Utne Independent Press  Per saperne di più…
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Dettagli

Genere/forma: Interviews
Persona incaricata: R Crumb; R Crumb
Tipo materiale: Biography
Tipo documento: Book
Tutti gli autori / Collaboratori: R Crumb; Milo George; Gary Groth; Patrick Rosenkranz
ISBN: 1560975644 9781560975649
Numero OCLC: 55132684
Note: Statement of responsibility taken from title page verso.
Includes interviews conducted by Patrick Rosenkranz and Gary Groth, the latter originally published in The comics journal, 1988-1995.
Descrizione: 114 pages : illustrations (some color) ; 31 x 31 cm.
Contenuti: Introduction --
Essay --
The interviews --
Color Gallery.
Titolo della serie: Comics journal library, 3.
Altri titoli: Comics journal.
Responsabilità: [edited by Milo George].

Abstract:

"Few cartoonists have affected our world the way Robert Crumb (1943- ) has, from busting cultural and sexual taboos for artists everywhere with his pioneering underground comix to his never-ending drive to improve his art. This book, the third volume of The comics Journal Library series, presents a composite portrait of the artist through four long out-of-print interviews from the Utne Independent Press Award-winning magazine's archives and a never-before-published chat from the artist's 1980s renaissance. This volume spans Crumb's life and career, covering his views on sex, politics, art, racism and culture, his peers and family, his flirtations with success on America's terms and his later rejections of those terms. It also provides an absorbing oral history of the latter half of the 20th century from the point of view of an artist who helped shape it"--Back cover.

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