コンテンツへ移動
The radical faces of Godard and Bertolucci 資料のプレビュー
閉じる資料のプレビュー
確認中…

The radical faces of Godard and Bertolucci

著者: Yosefa Loshitzky
出版: Detroit : Wayne State University Press, ©1995.
シリーズ: Contemporary film and television series.
エディション/フォーマット:   書籍 : State or province government publication : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly -- Godard produces highly cerebral and theoretical work while Bertolucci creates films with more spectacle and emotionalism --  続きを読む
評価:

(まだ評価がありません) 0 件のレビュー - 是非あなたから!

件名:
関連情報:

 

オンラインで入手

この資料へのリンク

オフラインで入手

&AllPage.SpinnerRetrieving; この資料の所蔵館を検索中…

詳細

ジャンル/形式: Criticism, interpretation, etc
関連の人物: Jean-Luc Godard; Bernardo Bertolucci; Jean-Luc Godard; Bernardo Bertolucci; Bernardo Bertolucci; Jean-Luc Godard; Bernardo Bertolucci; Jean-Luc Godard; Bernardo Bertolucci; Jean-Luc Godard
資料の種類: Government publication, State or province government publication, インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Yosefa Loshitzky
ISBN: 0814324460 9780814324462 0814324479 9780814324479
OCLC No.: 30914150
物理形態: 286 p. : ill. ; 24 cm.
コンテンツ: Introduction: Anxiety of Influence/Celebration of Influence --
Ch. 1. The Radical Period of Godard: 1968-1978. The Influence of May 1968. From Le Gai Savoir to the Films of the Dziga Vertov Group. The Intermediate Stage: Tout va bien. A New Turn: The Collaboration with Mieville --
Ch. 2. The Radical Period of Bertolucci: 1968-1976. The Politicization of Memory: From Partner to The Conformist. The Politicization of the Love Story: Eros and Civilization Revisited in Last Tango in Paris. Politicization of Politics: 1900 --
Ch. 3. Dialogue with the Cosmos: The Films after the Revolution. The "Spiralling Negativity" of the Terrorist Game: Bertolucci's Tragedy of a Ridiculous Man. The Transition to the Cosmic Period: Godard's "Trilogy of the Sublime"
シリーズタイトル: Contemporary film and television series.
責任者: Yosefa Loshitzky.

概要:

Provides insights into the relationship between the film-makers Godard and Bertolucci by specifically addressing their influences upon each other. The analysis of their films pays attention to the  続きを読む

レビュー

ユーザーレビュー
GoodReadsのレビューを取得中…
DOGObooksのレビューを取得中…

タグ

まずはあなたから!
リクエストの確認

あなたは既にこの資料をリクエストしている可能性があります。このリクエストを続行してよろしければ、OK を選択してください。

リンクデータ


<http://www.worldcat.org/oclc/30914150>
library:oclcnum"30914150"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/30914150>
rdf:typeschema:Book
schema:about
<http://viaf.org/viaf/108762210>
rdf:typeschema:Person
schema:birthDate"1930"
schema:familyName"Godard"
schema:givenName"Jean-Luc"
schema:name"Godard, Jean-Luc, 1930-."
schema:name"Godard, Jean-Luc"
schema:name"Godard, Jean-Luc, 1930-"
schema:about
schema:about
schema:about
schema:about
schema:about
<http://viaf.org/viaf/109921450>
rdf:typeschema:Person
schema:birthDate"1941"
schema:familyName"Bertolucci"
schema:givenName"Bernardo"
schema:name"Bertolucci, Bernardo, 1941-."
schema:name"Bertolucci, Bernardo"
schema:about
schema:copyrightYear"1995"
schema:creator
schema:datePublished"1995"
schema:description""From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly -- Godard produces highly cerebral and theoretical work while Bertolucci creates films with more spectacle and emotionalism -- their careers have sparked lively discussion and debate, mostly centered around the notion of an Oedipal struggle between them. The Radical Faces of Godard and Bertolucci, however, provides new insight into their relationship by specifically addressing their influences upon each other. This careful analysis of their films pays special attention to the more recent and often critically neglected films, and locates their work within the cultural critiques of feminism, postmodernism, and multiculturalism." -- Publisher description."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/32792040>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"The radical faces of Godard and Bertolucci"@en
schema:numberOfPages"286"
schema:publisher
schema:url
schema:workExample
schema:workExample

Content-negotiable representations

ウインドウを閉じる

WorldCatにログインしてください 

アカウントをお持ちではないですか?簡単に 無料アカウントを作成することができます。.