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The radical faces of Godard and Bertolucci

著者: Yosefa Loshitzky
出版社: Detroit : Wayne State University Press, ©1995.
シリーズ: Contemporary film and television series.
エディション/フォーマット:   紙書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"From the radical 1960s through the neo-conservative 1980s and into the early 1990s, the provocative cinematic careers of French director Jean-Luc Godard and Italian director Bernardo Bertolucci have captured the imagination of filmgoers and critics alike. Although their films differ greatly -- Godard produces highly cerebral and theoretical work while Bertolucci creates films with more spectacle and emotionalism --  続きを読む
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ジャンル/形式: Criticism, interpretation, etc
関連の人物: Jean-Luc Godard; Bernardo Bertolucci; Jean-Luc Godard; Bernardo Bertolucci; Bernardo Bertolucci; Jean-Luc Godard; Bernardo Bertolucci; Jean-Luc Godard; Bernardo Bertolucci; Jean-Luc Godard
資料の種類: インターネット資料
ドキュメントの種類 書籍, インターネット資料
すべての著者/寄与者: Yosefa Loshitzky
ISBN: 0814324460 9780814324462 0814324479 9780814324479
OCLC No.: 30914150
物理形態: 286 pages : illustrations ; 24 cm.
コンテンツ: Introduction: Anxiety of Influence/Celebration of Influence --
Ch. 1. The Radical Period of Godard: 1968-1978. The Influence of May 1968. From Le Gai Savoir to the Films of the Dziga Vertov Group. The Intermediate Stage: Tout va bien. A New Turn: The Collaboration with Mieville --
Ch. 2. The Radical Period of Bertolucci: 1968-1976. The Politicization of Memory: From Partner to The Conformist. The Politicization of the Love Story: Eros and Civilization Revisited in Last Tango in Paris. Politicization of Politics: 1900 --
Ch. 3. Dialogue with the Cosmos: The Films after the Revolution. The "Spiralling Negativity" of the Terrorist Game: Bertolucci's Tragedy of a Ridiculous Man. The Transition to the Cosmic Period: Godard's "Trilogy of the Sublime."
シリーズタイトル: Contemporary film and television series.
責任者: Yosefa Loshitzky.

概要:

Provides insights into the relationship between the film-makers Godard and Bertolucci by specifically addressing their influences upon each other. The analysis of their films pays attention to the  続きを読む

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