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Radical satire and print culture, 1790-1822

著者: Marcus Wood
出版商: Oxford [England] : Clarendon Press ; New York : Oxford University Press, 1994.
丛书: Oxford English monographs.
版本/格式:   图书 : 英语查看所有的版本和格式
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With the publication of Marcus Wood's Radical Satire and Print Culture 1790-1822 there is at last a study that does justice to the work produced collaboratively between 1816 and 1822 by the poet and radical journalist William Hone and the brilliant young graphic artist George Cruikshank. The book provides new ways into the study of radical and Romantic satire. It uncovers hitherto forgotten or unimagined contexts  再读一些...
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类型/形式: Criticism, interpretation, etc
History
附加的形体格式: Online version:
Wood, Marcus.
Radical satire and print culture, 1790-1822.
Oxford [England] : Clarendon Press ; New York : Oxford University Press, 1994
(OCoLC)624398118
提及的人: William Hone; George Cruikshank; William Hone; George Cruikshank; William Hone; George Cruikshank; George Cruikshank; William Hone
文件类型:
所有的著者/提供者: Marcus Wood
ISBN: 0198112785 9780198112785
OCLC号码: 29518187
描述: xviii, 318 p. : ill. ; 23 cm.
内容: Introduction - "The potatoes speak for themselves"; advertising, politics and parody 1710-1780' Eaton, Spence and modes of radical subversion in the Revolutionary Era; radicals and the law - blasphemous libels and the three trials of William Hone; radical puffing - parodic advertising and newspapers; "The Political House that Jack Built" - children's publishing and political satire; conclusion - satire, radicalism and radical Romanticism. Appendix: a transcription of the original manuscript version of "The Late John Wilkes's Catechism of a Ministerial Member".
丛书名: Oxford English monographs.
责任: Marcus Wood.
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Focuses on the work produced collaboratively between 1816 and 1822 by the poet and radical journalist William Hone and the brilliant young graphic satirist George Cruikshank. It shows how both men  再读一些...

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Marcus Wood's book is an important addition to recent work on popular radicalism in the romantic period...uncovering of a "satirical inheritance" is central to his iportant argument about the 再读一些...

 
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