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Random order : Robert Rauschenberg and the neo-avant-garde

Auteur : Branden Wayne Joseph; Robert Rauschenberg
Éditeur : Cambridge, Mass. : MIT Press, ©2003.
Édition/format :   Print book : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"Robert Rauschenberg is one of the most important visual artists of the second half of the twentieth century. In Random Order, Branden Joseph examines Rauschenberg's work in the context of the American neo-avant-garde. One of the foundations of his study is Rauschenberg's professional relationship with experimental composer John Cage. From the moment of their encounter at Black Mountain College in 1952, Joseph  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
Personne nommée : Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Branden Wayne Joseph; Robert Rauschenberg
ISBN : 0262100991 9780262100991
Numéro OCLC : 51722833
Notes : "An October book."
Description : xiii, 418 p. : ill. ; 24 cm.
Responsabilité : Branden W. Joseph.
Plus d’informations :

Résumé :

An examination of the artistic development of Robert Rauschenberg, focusing on his relationship with John Cage and his role in the making of the American neo-avant-garde.  Lire la suite...

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"Branden W. Joseph has embarked upon the ambitious project of reconstructing the essential part of Robert Rauschenberg's oeuvre... persuasively shown that Rauschenberg, together with [John] Cage, Lire la suite...

 
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Données liées


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<http://viaf.org/viaf/10104043> # Branden Wayne Joseph
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<http://viaf.org/viaf/29544362> # Robert Rauschenberg
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    schema:reviewBody ""Robert Rauschenberg is one of the most important visual artists of the second half of the twentieth century. In Random Order, Branden Joseph examines Rauschenberg's work in the context of the American neo-avant-garde. One of the foundations of his study is Rauschenberg's professional relationship with experimental composer John Cage. From the moment of their encounter at Black Mountain College in 1952, Joseph argues, Rauschenberg and Cage initiated a new avant-garde project, one that approached the idea of difference not in terms of negation but as a positive force. Claiming that Rauschenberg's work cannot be understood solely from the standpoint of the Frankfurt School - whose theories have dominated discussions of avant-garde and neo-avante-garde aesthetics - Joseph turns to the theoretical positions of Gilles Deleuze and Jacques Derrida. Rauschenberg's neo-avant-garde was not a simple repetition of earlier avant-garde movements, Joseph shows, but a series of practices that opposed the rise of postwar spectacle, commodification, and mass conformity." "Beginning with the White Paintings, Joseph examines Rauschenberg's artistic development from 1951 to 1971. He looks at the black paintings, Red Paintings, Elemental Paintings and Elemental Sculptures. Combines and Combine paintings transfer drawings and silkscreens, performances, and explorations in art and technology. Joseph's study not only offers new interpretations of Rauschenberg's work but also deepens our understanding of the entire neo-avant-garde project."--Jacket." ;
    .


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