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Random order : Robert Rauschenberg and the neo-avant-garde

作者: Branden Wayne Joseph; Robert Rauschenberg
出版商: Cambridge, Mass. : MIT Press, ©2003.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"Robert Rauschenberg is one of the most important visual artists of the second half of the twentieth century. In Random Order, Branden Joseph examines Rauschenberg's work in the context of the American neo-avant-garde. One of the foundations of his study is Rauschenberg's professional relationship with experimental composer John Cage. From the moment of their encounter at Black Mountain College in 1952, Joseph  再讀一些...
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詳細書目

類型/形式: Criticism, interpretation, etc
提及的人: Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg
資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Branden Wayne Joseph; Robert Rauschenberg
ISBN: 0262100991 9780262100991
OCLC系統控制編碼: 51722833
注意: "An October book."
描述: xiii, 418 p. : ill. ; 24 cm.
責任: Branden W. Joseph.
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摘要:

An examination of the artistic development of Robert Rauschenberg, focusing on his relationship with John Cage and his role in the making of the American neo-avant-garde.  再讀一些...

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"Branden W. Joseph has embarked upon the ambitious project of reconstructing the essential part of Robert Rauschenberg's oeuvre... persuasively shown that Rauschenberg, together with [John] Cage, 再讀一些...

 
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schema:reviewBody""Robert Rauschenberg is one of the most important visual artists of the second half of the twentieth century. In Random Order, Branden Joseph examines Rauschenberg's work in the context of the American neo-avant-garde. One of the foundations of his study is Rauschenberg's professional relationship with experimental composer John Cage. From the moment of their encounter at Black Mountain College in 1952, Joseph argues, Rauschenberg and Cage initiated a new avant-garde project, one that approached the idea of difference not in terms of negation but as a positive force. Claiming that Rauschenberg's work cannot be understood solely from the standpoint of the Frankfurt School - whose theories have dominated discussions of avant-garde and neo-avante-garde aesthetics - Joseph turns to the theoretical positions of Gilles Deleuze and Jacques Derrida. Rauschenberg's neo-avant-garde was not a simple repetition of earlier avant-garde movements, Joseph shows, but a series of practices that opposed the rise of postwar spectacle, commodification, and mass conformity." "Beginning with the White Paintings, Joseph examines Rauschenberg's artistic development from 1951 to 1971. He looks at the black paintings, Red Paintings, Elemental Paintings and Elemental Sculptures. Combines and Combine paintings transfer drawings and silkscreens, performances, and explorations in art and technology. Joseph's study not only offers new interpretations of Rauschenberg's work but also deepens our understanding of the entire neo-avant-garde project."--BOOK JACKET."
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