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Rape in art cinema

Author: Dominique Russell
Publisher: New York : Continuum, 2011. ©2011
Edition/Format:   eBook : Document : EnglishView all editions and formats
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Genre/Form: Criticism, interpretation, etc
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Dominique Russell
ISBN: 9781441116147 1441116141
OCLC Number: 1031525269
Description: 1 online resource (258 pages).
Contents: Introduction: why rape? / Dominique Russell --
Canonical works and auteurs. Screen/memory: rape and its alibis in Last year at Marienbad / Lynn A. Higgins --
The fault lines of vision: Rashomon and The man left his will on film / Eugenie Brinkema --
Buñuel: storytelling, desire and the question of rape / Dominique Russell --
Materiality and metaphor: rape in Anne Claire Poirier's Mourir à tue-tête and Jean-Luc Godard's Weekend / Shana MacDonald --
Sins of permission: the union of rape and marriage in Die Marquise von O and Breaking the waves / Victoria Anderson --
Rough awakenings: unconscious women and rape in Kill Bill and Talk to her / Adriana Novoa --
English-language independent cinemas. Jane Campion's women's films: art cinema and the postfeminist rape narrative / Shelley Cobb --
Boys don't get raped / Ann J. Cahill --
"If it was a rape, then why would she be a whore?" Rape in Todd Solondz' films / Michelle E. Moore --
Cinéma brut and the new French extremists. "Typically French"? Mediating screened rape to British audiences / Martin Barker --
On watching and turning away: Ono's Rape, cinéma direct aesthetics and the genealogy of cinéma brut / Scott MacKenzie --
Uncanny horrors: male rape in Bruno Dumont's Twentynine palms / Lisa Coulthard --
Sexual trauma and jouissance in Baise-moi / Joanna Bourke --
Shame and the sisters: Catherine Breillat's À ma soeur! (Fat Girl) / Tanya Horeck.
Responsibility: edited by Dominique Russell.

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