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Rape in art cinema

Author: Dominique Russell
Publisher: New York : Continuum, 2010.
Series: Continuum film studies.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Art cinema has always had an aura of the erotic, with the term being at times a euphemism for European films that were more explicit than their American counterparts. This focus on sexuality, whether buried or explicit, has meant a recurrence of the theme of rape, nearly as ubiquitous as in mainstream film. This anthology explores the representation of rape in art cinema. Its aim is to highlight the prevalence and  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Rape in art cinema.
New York : Continuum, 2010
(DLC) 2009033583
(OCoLC)431534183
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Dominique Russell
ISBN: 9781441173799 144117379X 1283207087 9781283207089 9781628928921 1628928921
OCLC Number: 741690176
Reproduction Notes: Electronic reproduction. London : Bloomsbury Publishing, 2014. Available via World Wide Web. Access limited by licensing agreement. OrPS
Description: 1 online resource (xi, 244 pages) : illustrations.
Contents: Introduction: why rape? / Dominique Russell --
Canonical works and auteurs. Screen/memory: rape and its alibis in Last year at Marienbad / Lynn A. Higgins --
The fault lines of vision: Rashomon and The man left his will on film / Eugenie Brinkema --
Buñuel: storytelling, desire and the question of rape / Dominique Russell --
Materiality and metaphor: rape in Anne Claire Poirier's Mourir à tue-tête and Jean-Luc Godard's Weekend / Shana MacDonald --
Sins of permission: the union of rape and marriage in Die Marquise von O and Breaking the waves / Victoria Anderson --
Rough awakenings: unconscious women and rape in Kill Bill and Talk to her / Adriana Novoa --
English-language independent cinemas. Jane Campion's women's films: art cinema and the postfeminist rape narrative / Shelley Cobb --
Boys don't get raped / Ann J. Cahill --
"If it was a rape, then why would she be a whore?" Rape in Todd Solondz' films / Michelle E. Moore --
Cinéma brut and the new French extremists. "Typically French"? Mediating screened rape to British audiences / Martin Barker --
On watching and turning away: Ono's Rape, cinéma direct aesthetics and the genealogy of cinéma brut / Scott MacKenzie --
Uncanny horrors: male rape in Bruno Dumont's Twentynine palms / Lisa Coulthard --
Sexual trauma and jouissance in Baise-moi / Joanna Bourke --
Shame and the sisters: Catherine Breillat's À ma soeur! (Fat Girl) / Tanya Horeck.
Series Title: Continuum film studies.
Responsibility: edited by Dominique Russell.

Abstract:

A collection of essays exploring the treatment of rape in the 'art cinema' genre. It highlights the prevalence and multiple functions of rape in this prestigious mode of filmmaking as well as  Read more...

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