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Raphael & the beautiful banker : the story of the Bindo Altoviti portrait

著者: David Alan Brown; Jane Van Nimmen; Raphael
出版: New Haven [Conn.] ; London : Yale University Press, ©2005.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Five centuries ago a stunningly beautiful young man, heir to a banking fortune, sat for a portrait by Raphael. In the artist's dynamic conception, Bindo Altoviti turns as if to speak to his Florentine bride, Fiammetta. Ardently admired over the years, as it is today, Raphael's portrait was also coolly received by more than one influential critic who cast a shadow on its reputation. This gloriously illustrated book  続きを読む
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詳細

ジャンル/形式: Criticism, interpretation, etc
Portraits
関連の人物: Raphael; Bindo Altoviti; Raphael; Raffaello <Sanzio>; Raffaello, Sanzio; Raffaello, Sanzio; Bindo Altoviti; Bindo Altoviti; Bindo Altoviti; Raphael
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: David Alan Brown; Jane Van Nimmen; Raphael
ISBN: 0300108249 9780300108248
OCLC No.: 56730069
物理形態: ix, 261 p. : ill. (some col.) ; 27 cm.
コンテンツ: The beautiful banker --
Raphael's face value --
The Bavarian buyers --
Facing the public --
Manna from heaven : the case of Ingres --
Whose face? : the search for authenticity --
Trading places.
その他のタイトル: Raphael and the beautiful banker
責任者: David Alan Brown & Jane Van Nimmen.
その他の情報:

概要:

"Five centuries ago a stunningly beautiful young man, heir to a banking fortune, sat for a portrait by Raphael. In the artist's dynamic conception, Bindo Altoviti turns as if to speak to his Florentine bride, Fiammetta. Ardently admired over the years, as it is today, Raphael's portrait was also coolly received by more than one influential critic who cast a shadow on its reputation. This gloriously illustrated book tells the story of the portrait's creation and of its unexpected trajectory through history." "Focusing on viewers' responses to Bindo Altoviti, the book describes the transformation of the picture from a family treasure into a supposed self-portrait of the artist; its public display in Munich, where it was first celebrated, then dismissed by sceptics claiming that it was neither of nor by Raphael; and its acquisition by canny English dealers who lured the panel out of Nazi Germany. Purchased as a Raphael by American collector Samuel H. Kress, the painting was donated in 1943 to the newly opened National Gallery of Art, where Bindo's image has beguiled visitors ever since."--BOOK JACKET.

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