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Raphael & the beautiful banker : the story of the Bindo Altoviti portrait

作者: David Alan Brown; Jane Van Nimmen; Raphael
出版商: New Haven [Conn.] ; London : Yale University Press, ©2005.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"Five centuries ago a stunningly beautiful young man, heir to a banking fortune, sat for a portrait by Raphael. In the artist's dynamic conception, Bindo Altoviti turns as if to speak to his Florentine bride, Fiammetta. Ardently admired over the years, as it is today, Raphael's portrait was also coolly received by more than one influential critic who cast a shadow on its reputation. This gloriously illustrated book  再讀一些...
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詳細書目

類型/形式: Criticism, interpretation, etc
Portraits
提及的人: Raphael; Bindo Altoviti; Raphael; Raffaello <Sanzio>; Raffaello, Sanzio; Raffaello, Sanzio; Bindo Altoviti; Bindo Altoviti; Bindo Altoviti; Raphael
資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: David Alan Brown; Jane Van Nimmen; Raphael
ISBN: 0300108249 9780300108248
OCLC系統控制編碼: 56730069
描述: ix, 261 p. : ill. (some col.) ; 27 cm.
内容: The beautiful banker --
Raphael's face value --
The Bavarian buyers --
Facing the public --
Manna from heaven : the case of Ingres --
Whose face? : the search for authenticity --
Trading places.
其他題名: Raphael and the beautiful banker
責任: David Alan Brown & Jane Van Nimmen.
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摘要:

How one of the most beautiful portraits in all of Western art made its adventurous passage through the centuries, from Renaissance Rome to the Mall in Washington D.C.  再讀一些...

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schema:reviewBody""Five centuries ago a stunningly beautiful young man, heir to a banking fortune, sat for a portrait by Raphael. In the artist's dynamic conception, Bindo Altoviti turns as if to speak to his Florentine bride, Fiammetta. Ardently admired over the years, as it is today, Raphael's portrait was also coolly received by more than one influential critic who cast a shadow on its reputation. This gloriously illustrated book tells the story of the portrait's creation and of its unexpected trajectory through history." "Focusing on viewers' responses to Bindo Altoviti, the book describes the transformation of the picture from a family treasure into a supposed self-portrait of the artist; its public display in Munich, where it was first celebrated, then dismissed by sceptics claiming that it was neither of nor by Raphael; and its acquisition by canny English dealers who lured the panel out of Nazi Germany. Purchased as a Raphael by American collector Samuel H. Kress, the painting was donated in 1943 to the newly opened National Gallery of Art, where Bindo's image has beguiled visitors ever since."--BOOK JACKET."
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