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Raphael's "School of Athens"

ผู้แต่ง: Marcia B Hall
สำนักพิมพ์: Cambridge ; New York : Cambridge University Press, 1997.
ชุด: Masterpieces of Western painting.
ครั้งที่พิมพ์/รูปแบบ:   Print book : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
"Raphael's "School of Athens" examines one of the masterpieces of the Italian Renaissance and the artist's best-known work. Commissioned by Pope Julius II to decorate the walls of his private library, the fresco represents the gathering of the philosophers of the ancient world around the central figures of Plato and Aristotle. The adjacent walls represent theologians, poets, and lawgivers, the subjects of books in  อ่านมากขึ้น…
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ประเภท/แบบฟอร์ม Criticism, interpretation, etc
ชื่อบุคคล: Raphael; Raphael; Raphael; Raphaël; Raphael; Raphael; Raphaël (1483-1520).
ขนิดวัสดุ: ทรัพยากรอินแทอร์เน็ต
ประเภทของเอกสาร: หนังสือ, แหล่งข้อมูลอินเทอร์เน็ต
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Marcia B Hall
ISBN: 0521444470 9780521444477 0521448999 9780521448994
OCLC Number: 34669377
คำอธิบาย: xii, 182 pages : illustrations ; 24 cm.
สารบัญ: The image of the ancient Gymnasium of Athens, or, Philosophy / Giovanni Pietro Bellori --
The School of Athens / Heinrich Wölfflin --
The architectural background / Ralph E. Lieberman --
Color and chiaroscuro / Janis Bell --
Pagans in the church : the School of Athens in religious context / Timothy Verdon --
The intellectual background of the School of Athens : tracking divine wisdom in the Rome of Julius II / Ingrid D. Rowland.
ชื่อชุด: Masterpieces of Western painting.
ชื่อเรื่องอื่น: School of Athens
ความรับผิดชอบ: edited by Marcia Hall.
ข้อมูลเพิ่มเติม

บทคัดย่อ:

"Raphael's "School of Athens" examines one of the masterpieces of the Italian Renaissance and the artist's best-known work. Commissioned by Pope Julius II to decorate the walls of his private library, the fresco represents the gathering of the philosophers of the ancient world around the central figures of Plato and Aristotle. The adjacent walls represent theologians, poets, and lawgivers, the subjects of books in Julius's library. Presented in this volume are early cricitisms of the fresco by Bellori and Wolfflin, along with new interpretations, published in this volume for the first time, of its iconography in relation to the other frescoes in the Stanza della Segnatura and in the context of humanism and the rhetorical tradition of the papal court; analysis of Raphael's groundbreaking use of light and color; and an inquiry into the role of Bramante and antique architecture in Raphael's design. An introduction surveys the critical history of Raphael and the painting, and the history of modern interpretations."--Jacket.

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