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Raphael's "School of Athens"

著者: Marcia B Hall
出版商: Cambridge ; New York : Cambridge University Press, 1997.
丛书: Masterpieces of Western painting.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"Raphael's "School of Athens" examines one of the masterpieces of the Italian Renaissance and the artist's best-known work. Commissioned by Pope Julius II to decorate the walls of his private library, the fresco represents the gathering of the philosophers of the ancient world around the central figures of Plato and Aristotle. The adjacent walls represent theologians, poets, and lawgivers, the subjects of books in  再读一些...
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详细书目

类型/形式: Criticism, interpretation, etc
提及的人: Raphael; Raphael; Raphael; Raphaël; Raphael; Raphael; Raphaël (1483-1520).
材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Marcia B Hall
ISBN: 0521444470 9780521444477 0521448999 9780521448994
OCLC号码: 34669377
描述: xii, 182 pages : illustrations ; 24 cm.
内容: The image of the ancient Gymnasium of Athens, or, Philosophy / Giovanni Pietro Bellori --
The School of Athens / Heinrich Wölfflin --
The architectural background / Ralph E. Lieberman --
Color and chiaroscuro / Janis Bell --
Pagans in the church : the School of Athens in religious context / Timothy Verdon --
The intellectual background of the School of Athens : tracking divine wisdom in the Rome of Julius II / Ingrid D. Rowland.
丛书名: Masterpieces of Western painting.
其他题名: School of Athens
责任: edited by Marcia Hall.
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摘要:

"Raphael's "School of Athens" examines one of the masterpieces of the Italian Renaissance and the artist's best-known work. Commissioned by Pope Julius II to decorate the walls of his private library, the fresco represents the gathering of the philosophers of the ancient world around the central figures of Plato and Aristotle. The adjacent walls represent theologians, poets, and lawgivers, the subjects of books in Julius's library. Presented in this volume are early cricitisms of the fresco by Bellori and Wolfflin, along with new interpretations, published in this volume for the first time, of its iconography in relation to the other frescoes in the Stanza della Segnatura and in the context of humanism and the rhetorical tradition of the papal court; analysis of Raphael's groundbreaking use of light and color; and an inquiry into the role of Bramante and antique architecture in Raphael's design. An introduction surveys the critical history of Raphael and the painting, and the history of modern interpretations."--Jacket.

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