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| Named Person: | John Singleton Copley; Charles Willson Peale; Thomas Cole; Edmonia Lewis; Hiram Powers; Winslow Homer; Mary Cassatt; John Sloan; Georgia O'Keeffe; Charles Sheeler; Grant Wood; Isabel Bishop; Jackson Pollock |
|---|---|
| Document Type: | Book |
| All Authors / Contributors: |
Marianne Doezema; Elizabeth Milroy |
| ISBN: | 0300073488 9780300073485 0300069987 9780300069983 |
| OCLC Number: | 37201166 |
| Description: | ix, 470 p. : ill. ; 25 cm. |
| Contents: | Seventeenth-century New England mercantile image / Wayne Craven -- Character and class / Paul Staiti -- Charles Willson Peale's expressive design / Roger B. Stein -- Thomas Cole and the aristocracy / Alan Wallach -- Correct likeness / David Jaffee -- Painter's triumph / William T. Oedel and Todd S. Gernes -- Doomed to perish / Kathryn S. Hight -- Narratives of the female body / Joy S. Kasson -- Ideal works of Edmonia Lewis / Kirsten P. Buick -- Kiss of enterprise / Nancy K. Anderson -- Gross Clinic, or Portrait of Professor Gross / Elizabeth Johns -- Winslow Homer in his art / Jules D. Prown -- Mary Cassatt / Griselda Pollock -- Image and ideology / Alan Trachtenberg -- John Sloan's images of working-class women / Patricia Hills -- O'Keeffe and the masculine gaze / Anna C. Chave -- Open window and the empty chair / Carol Troyen -- Birth of a national icon / Wanda M. Corn -- Question of difference / Ellen Wiley Todd -- Jackson Pollock / Michael Leja. |
| Responsibility: | edited by Marianne Doezema and Elizabeth Milroy. |
Abstract:
This anthology brings together 20 works of scholarship on the history of the visual arts in the United States from the colonial period to 1945. The selected essays - all written within the last two decades - reflect the interdisciplinary character of art historiography in America and the variety of approaches that contribute to the dynamism in the field. The authors take up diverse subjects - from colonial portraits to 19th-century sculptures of women to photographic images of New York - and invite those with a general knowledge of the history of American art to think more deeply about art and culture. Employing many interpretive methodologies, including iconology, social history, structuralism, psychobiography and feminist theory, the contributors to this volume combine close analysis of specific art objects or groups of objects with discussion of how these works of art operated within their cultural contexts. The authors consider the works of such artists as John Singleton Copley, Charles Willson Peale, Georgia O'Keeffe and Jackson Pollock as they assess how paintings, sculpture, prints, drawings and photographs have carried meaning within American society. And they investigate how the conceptualization, production and presentation of works of art both inform and are informed by prevailing attitudes towards the role of the arts and the artist in American culture.
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Related Subjects:(18)
- Art, American.
- Art américain.
- Beeldende kunsten.
- Art -- 19e siècle -- États-Unis.
- Art -- 20e siècle -- États-Unis.
- Copley, John Singleton, -- 1738-1815.
- Peale, Charles Willson, -- 1741-1827.
- Cole, Thomas, -- 1801-1848.
- Lewis, Edmonia.
- Powers, Hiram, -- 1805-1873. -- Greek slave.
- Homer, Winslow, -- 1836-1910.
- Cassatt, Mary, -- 1844-1926.
- Sloan, John, -- 1871-1951.
- O'Keeffe, Georgia, -- 1887-1986.
- Sheeler, Charles, -- 1883-1965.
- Wood, Grant, -- 1891-1942.
- Bishop, Isabel, -- 1902-1988.
- Pollock, Jackson, -- 1912-1956.
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