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Realms of light : the Baroque

Author: Eugene MarnerMichael WoodIrving LavinSimon SchamaWNET (Television station : New York, N.Y.)All authors
Publisher: Santa Barbara, CA : Annenberg/CPB Project, ©1989.
Series: Annenberg/CPB collection.
Edition/Format:   VHS video : VHS tape   Visual material : EnglishView all editions and formats
Database:WorldCat
Summary:
Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's The Ecstasy of St. Teresa, Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works.
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Details

Genre/Form: History
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Eugene Marner; Michael Wood; Irving Lavin; Simon Schama; WNET (Television station : New York, N.Y.); TVS (Firm : Great Britain); Österreichischer Rundfunk.; Televisión Española.; Annenberg/CPB Project.
ISBN: 155946268X 9781559462686
OCLC Number: 22457282
Language Note: Closed-captioned.
Notes: Program 5 of the PBS telecourse, Art of the Western world.
Credits: Cinematographer, Jeremy Stavenhagen ; film editor, Milton Moses Ginsberg ; series art consultant, Denise Hooker.
Performer(s): Host, Michael Wood ; art historians, Irving Lavin, Simon Schama.
Target Audience: Senior high through adults.
Description: 1 videocassette (60 min.) : sd., col. ; 1/2 in.
Details: VHS.
Contents: [The Baroque in Italy and Austria (30:00) --
The Baroque in Spain and the Netherlands (30:00)].
Series Title: Annenberg/CPB collection.
Other Titles: Baroque in Italy and Austria.
Baroque in Spain and the Netherlands.
Art of the Western world (Television program)
Responsibility: a production of WNET/Thirteen in association with TVS, ORF, and Television Espanola, S.A. ; produced by Eugene Marner, Carole Lucia Satrina ; directed by Eugene Marner ; written by Carole Lucia Satrina, Eugene Marner.

Abstract:

Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's The Ecstasy of St. Teresa, Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works.

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