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The reception of Bach's organ works from Mendelssohn to Brahms

Author: Russell Stinson
Publisher: Oxford ; New York : Oxford University Press, 2006.
Edition/Format:   eBook : Document : Biography : EnglishView all editions and formats
Summary:
Bach's music has made an indelible mark on all those who compose for the organ, and in the nineteenth century, Bach's music was revived, revered, and brought to life for a musical public. In this fascinating study, Bach scholar and organist Russell Stinson examines how four major composers of the nineteenth century--Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms--responded to the model of  Read more...
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Genre/Form: Electronic books
History
Additional Physical Format: Print version:
Stinson, Russell.
Reception of Bach's organ works from Mendelssohn to Brahms.
Oxford ; New York : Oxford University Press, 2006
(DLC) 2005011111
(OCoLC)59879483
Named Person: Johann Sebastian Bach
Material Type: Biography, Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Russell Stinson
ISBN: 9780195346862 0195346866 0195171098 9780195171099 1429420588 9781429420587
OCLC Number: 77528066
Description: 1 online resource (viii, 232 pages) : illustrations, music
Contents: Felix Mendelssohn Bartholdy. Youth ; The grand tour ; Young adulthood ; The Leipzig Bach recital ; The final years --
Robert Schumann. Leipzig ; Dresden and beyond --
Franz Liszt. The traveling virtuoso ; Weimar --
Johannes Brahms. An overview ; Brahms as a scholar of Bach's organ works --
Appendix : Johannes Brahms's study score of the Fantasy in G major, BWV 572 --
Notes --
Works cited.
Responsibility: Russell Stinson.
More information:

Abstract:

In this penetrating study, Russell Stinson considers how four of the greatest composers of the nineteeth-century - Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms - responded to  Read more...

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I am sure that Russell Stinson's attractive monograph will encourage still more Bachians to venture into the field of reception. * James Garrat, Music and Letters *

 
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