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Reconsidering Barnett Newman

Author: Melissa Ho; Philadelphia Museum of Art.
Publisher: Philadelphia : Philadelphia Museum of Art ; New Haven, CT : Distributed by Yale University Press, ©2005.
Edition/Format:   Book : Conference publication : EnglishView all editions and formats
Database:WorldCat
Summary:
The essays collected discuss the artist's famous "zip," temporal aspects of his work, his painting technique, and his sculptural oeuvre, among other topics. New perspectives are provided on Newman, whose restrained, almost severe pictorial lexicon resulted in emotionally resonant works of art.
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Genre/Form: Conference proceedings
Criticism, interpretation, etc
Congresses
Named Person: Barnett Newman; Barnett Newman; Barnett Newman
Material Type: Conference publication
Document Type: Book
All Authors / Contributors: Melissa Ho; Philadelphia Museum of Art.
ISBN: 0876331878 9780876331873 0300109334 9780300109337
OCLC Number: 57286008
Notes: "A symposium held at the Philadelphia Museum of Art."
Description: xiii, 185 p. : ill. ; 24 cm.
Contents: Talk and the untalkable / Melissa Ho --
Remembering Newman / Ben Heller, Robert Murray, B. H. Friedman, and Allan Stone --
Barnett Newman: writing painting / painting writing / Mel Bochner --
Newman's laterality / Yve-Alain Bois --
Barnett Newman's "Stations of the cross" and the Memory of the Holocaust / Mark Godfrey --
Barnett Newman's pilgrimage in paint / Carol Mancusi-Ungaro --
Intuition and incidents: The paintings of Barnett Newman / Suzanne Penn --
The proper name of Newman's zip / Sarah K. Rich --
The sculpture of Barnett Newman / Nan Rosenthal --
Flat forms, deep thoughts: Newman on Géricault / Pierre Schneider --
Barnett Newman's "Here" series: A meditation on sense of place, or How can a sculpture say "I"? / Gabriele Schor --
Newman's time / Richard Shiff.
Responsibility: edited by Melissa Ho.

Abstract:

The essays collected discuss the artist's famous "zip," temporal aspects of his work, his painting technique, and his sculptural oeuvre, among other topics. New perspectives are provided on Newman, whose restrained, almost severe pictorial lexicon resulted in emotionally resonant works of art.

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