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Recording Studio Design.

Author: Philip Newell
Publisher: Burlington : Elsevier Science, 2011.
Edition/Format:   eBook : Document : English : 3rd edView all editions and formats
Summary:
Using straight-forward language and practical examples, Philip Newell covers the key principles of making a successful studio construction. In this third edition of Recording Studio Design, he gives you the skills you need to avoid disaster and create an efficient and effective acoustical environment to record and produce the fineset audio. Learn from Newell's years of experience as he provides great detail on the  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Newell, Philip.
Recording Studio Design.
Burlington : Elsevier Science, ©2011
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Philip Newell
ISBN: 9780240522418 0240522419
OCLC Number: 767502587
Notes: Reference.
Description: 1 online resource (833 pages)
Contents: Front Cover; Recording Studio Design; Copyright; Contents; About the Author; Acknowledgements; Preface; Preface to Second Edition; Preface to Third Edition; Introduction; Chapter 1 --
General Requirements and Common Errors; 1.1 The General Requirements; 1.2 Sound Isolation and Background Noise Levels; 1.3 Confidence in the System; 1.4 The Complete System; 1.5 Very Common Mistakes; 1.6 Summary; Chapter 2 --
Sound, Decibels and Hearing; 2.1 Perception of Sound; 2.2 Sound Itself; 2.3 The Decibel: Sound Power, Sound Pressure and Sound Intensity; 2.4 Human Hearing; 2.5 Summary; References. 4.11 SummaryReferences; Bibliography; Chapter 5 --
Designing Neutral Rooms; 5.1 Background; 5.2 Large Neutral Rooms; 5.3 Practical Realisation of a Neutral Room; 5.4 What is Parallel?; 5.5 Reflexions, Reverberation and Diffusion; 5.6 Floor and Ceiling Considerations; 5.7 Wall Treatments; 5.8 Small and Neutral; 5.9 Trims; 5.10 The Degree of Neutrality --
An Overview; 5.11 Dialogue Recording Rooms; 5.12 Summary; References; Bibliography; Chapter 6 --
Rooms with Characteristic Acoustics; 6.1 Definitions; 6.2 A Brief History of Idiosyncrasy; 6.3 Drawbacks of the Containment Shells. 6.4 Design Considerations6.5 Driving and Collecting the Rooms; 6.6 Evolution of Stone Rooms; 6.7 Live versus Electronic Reverberation; 6.8 The 20% Rule; 6.9 Reverberant Rooms and Bright Rooms --
Reflexion and Diffusion; 6.10 Low Frequency Considerations in Live Rooms; 6.11 General Comments on Live Rooms; 6.12 Orchestral Rooms; 6.13 RT Considerations; 6.14 Fixed Studio Environments; 6.15 Psychoacoustic Considerations and Spacial Awareness; 6.16 Dead Rooms; 6.17 Foley Rooms; 6.18 Summary; References; Bibliography; Chapter 7 --
Variable Acoustics; 7.1 The Geometry of Change. 7.2 Small Room Considerations7.3 Summary; Chapter 8 --
Room Combinations and Operational Considerations; 8.1 Options and Influences; 8.2 Layout of Rooms; 8.3 Isolation Considerations --
Doors and Windows; 8.4 The Geddes Approach; 8.5 Recording Techniques for Limited Acoustics; 8.6 A Compact Studio; 8.7 Review; 8.8 Typical Isolation Door Construction; 8.9 Rectangular Room Shells; 8.10 Summary; References; Chapter 9 --
The Studio Environment; 9.1 Some Human Needs; 9.2 Ventilation and Air-Conditioning; 9.3 Headphone Foldback; 9.4 Colours and General Decoration; 9.5 AC Mains Supplies; 9.6 Summary.

Abstract:

Using straight-forward language and practical examples, Philip Newell covers the key principles of making a successful studio construction. In this third edition of Recording Studio Design, he gives you the skills you need to avoid disaster and create an efficient and effective acoustical environment to record and produce the fineset audio. Learn from Newell's years of experience as he provides great detail on the practical recording application in various acoustic environments, and explores complex issues, providing real-world solutions. This new edition expands and develops on the topics fr.

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